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A photographer and her Top model at Central Park Collage

alain clément

France

Collage, Paper on Paper

Size: 6.3 W x 10.8 H x 1 D in

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$340

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About The Artwork

This collage in memory of attending a fashion photoshoot in Central Park - New York. I explain here the somewhat unusual realization. It is made of TWO front/back collages, the first (the photographer), and on the back of this one, on the entire corresponding surface a different collage (the Top model), fully respecting the unused areas, (#6.3x18 inch.) . Then, I made a print of the two (on Canon matte 170g/m2 photo paper), I cut them out, I scooped out the wasted surfaces, and I laminated them face to face on a sheet (“Silk Grain” photo paper) Optimum 300g/m2, gold printing). The result is a unique original print (13.4x11 inch.), signed and justified on the back, which allows the work to be clearly visualized and can be framed. The possible shipment includes the original double collage and the laminated (13.4x1) inch.

Details & Dimensions

Multi-paneled Collage:Paper on Paper

Original:One-of-a-kind Artwork

Size:6.3 W x 10.8 H x 1 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Le Vigan, small town in the South of France. I studied at the Universty of Montpellier Pharmacy and Medecine. I owe to Marc Dautry, classic engraver and sculptor (Montauban), to have been very early initiated to the field of Art. Later I met the surrealist painter, Bernard Louedin (Trebeurden), and developped a passion for this movement. I live and work now in Haute-Savoie near Annecy (France) and Geneva (Switzerland). At first glance my activity as Dr in medical biology did not predispose me to the practice of collage and photomontage if not my passion for Art,photography, surrealism, specially Man Ray, Dora Maar, Lee Miller, Max Ernst, Magritte and Hannah Hoch. My meeting with Josephine Sacabo, american photographer, was decisive; she introduced me to this art, and incited me to "always shift forward the reality". And this the way each of my collages is inspired by transposing fragments of live, where feelings, fantasies, and personal concerns are mingled. Beyond the resear that each project involves (magazines of art or photography, newspapers, photos, advertisings), beyond the time splent for realizig the work, beyond aesthetic concerns, the final result often emerges from these contengencies, and escape from the original idea, to become another, only remains the sincerity.

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