"B.E.P." Collage
Collage, Paper on Hardboard
35.4 W x 41.7 H in
Ready to Hang
$1,730
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
At times, everyone feels the urge to scream — through failure and victory, emotion and pain. Screaming can be OK. Some things are not meant to be held inside. The collage continues along the edges of the artwork, making framing unnecessary.
Year Created:
2025
Subject:
Styles:
Mediums:
Mediums:
Collage, Paper on Hardboard
Rarity:
One-of-a-kind Artwork
Size:
35.4 W x 41.7 H x 0.8 D in
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Poland.
Customs:
Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.
I embrace chance and spontaneity. I see beauty in being guided by it toward an unexpected destination — one that sometimes surprises me, yet feels unmistakably right. Freedom. Truth. Multiple layers.
Born in Warsaw, Poland, and based near the city, I work with form and image: design, sculpture, painting, and collage.
For creating collages, I use pages from my novel "The Great Black Square" ("Wielki czarny kwadrat"). Through a process of deconstruction, the words printed on the pages take on new forms as part of the act of collage, allowing the book to exist once again in a different material and visual state. Multiple works emerge from a single copy of the book, each redefining the relationship between text, form, and image.
For my sculptures, I work with recycled materials: old planks, wood shaped by years of exposure to the elements, rusted fragments of former structures, worn car parts, and discarded electronic components. Most of these materials are found in my own home or immediate surroundings. This approach reflects the idea of giving objects a second life, bringing order to the world around me, and working with ecological awareness.
In a civilization of excess, I choose to work with what I already have rather than purchasing new materials, fueling consumption, or increasing my carbon footprint.
Each of my works carries its own story, but the most important thing is whether the work itself resonates with you — or it doesn’t.
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