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Collateral Drones Collage
Collage, Resin on Wood
Size: 11 W x 40.6 H x 1.6 D in
Ships in a Box
About The Artwork
“Collateral drones” illustrates the new form of war that is carried out through a remote control plane thousands of kilometers away from the target. The word “collateral” alludes to the collateral damage generated by this type of weapon. It has a background texture made of mud that recalls an aerial photograph. It is bathed in resin where the graphic representing the dron was positioned. Although the subjects is dramatic, the result surpasses the theme and generates a composition and use of the color of a great aesthetic quality
Details & Dimensions
Collage:Resin on Wood
Original:One-of-a-kind Artwork
Size:11 W x 40.6 H x 1.6 D in
Frame:Black
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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ROBERTO LOPEZ DERPICH (Santiago-Chile-1958) He makes research in the School of Arts in Kassel (Gesamthochschule) and then at the Academy of Fine Arts in Stuttgart (Hoch Schule für bildendekunste). During this period he developes a musical project based on graphical interpretation. In Stuttgart (1983 neoexpressionist tendency period) he develops a group of paintings based on the texts of Seattle, Indian chief of the Duwamish tribe of south western Canada. These paintings are a pictorial and poetic tribute to the ecological text of Seattle. In 1993, Mallorca, the exhibition “Weightless and pilgrims” is a result from the combination of two elements, the human figure levitating, and the”landscape” in the Kuwait desert after the 1991 war. He exhibited in Chile – Germany and Spain (Mallorca) where he lives. In recent years, he has been developing a research based on issues such as the multiplicity of image, the changes of a post-industrial digital information society and the interaction of pictorial and stylistic languages.
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