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Exploretation and Prolution Verbal 243 Collage

Marit Otto

Netherlands

Collage, Paper on Plastic

Size: 11.8 W x 11.8 H x 1.8 D in

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$400

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About The Artwork

Plastic bag and paper restaurant coaster with the appearance of a nostalgic local newspaper, two fashion labels pasted with new text and cut-out letters from magazines on a wooden frame. Exploretation, (a contraction of the words explore and exploitation) and Prolution (a contraction of the words progress and pollution) is a continuation of verbal 242, Salery (a contraction of the words sale and slavery). The general message is roughly the same. Exploration and progress are two magic words when it comes to the evolution of mankind. However, we can no longer deny that there is also a dark and twisted side to this coin. At this point in history, I sometimes wonder what exploration will ultimately deliver to the explored, other than the white man's burden, education and concept of prosperity, because intended and unintended, it almost always brings the inevitable: exploitation, exhaustion and extermination alongside. The same can be said for progression. Damn, it feels so good to be in the slipstream of all that is progress and growth! But can one still speak of real progress if it can only be at the expense of others, good health or biodiversity? Lately, I am more drawn to the word consolidation. Slowing down, taking a step back, balancing the books and then ask yourself what progress would mean if it were not capitalised.

Details & Dimensions

Collage:Paper on Plastic

Original:One-of-a-kind Artwork

Size:11.8 W x 11.8 H x 1.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I can experience art on many levels and in many different ways. Then I look for aesthetics and eloquence but also for a particular angle. I make contemporary engaged art. It has a certain urgency. It is reflecting us, people and the zeitgeist. Images speak louder than words and basically appeal very directly to our feelings. My images are something of a mix between activism and philosophy, they want to engage in dialogue.” I am born in Hoorn (NH) (1970) and have been working as a visual artist since 1994. My studio is located at the Rieteweg 10 in Zwolle. I am a multidisciplinary artist. My autonomous work includes painting, collage, installation, digital art, photo manipulation, video art and 3d. I also work on commission and on a project basis. Typical for my autonomous work is the key role for man in its shape and behaviour. It is often a reflection of current social themes, but also mundane and personal issues are important sources of inspiration. Through small interventions, repetitions, inversions, or breaking surfaces with architectural forms, a new image is created in a somewhat familiar image. Although my work can be seen as aesthetic, it often conceals certain uneasiness, abrasive aesthetics. This duality or ambiguity is also a recurring theme. Do you see what you see? The resulting images are often on the cutting edge of fiction, realism, graphic and plastic. Contemporary (sur)realist?- My work cannot be placed in a tradition or movement. There are certainly surrealistic elements in my work and occasionally some abstraction, but in terms of style I draw from (contemporary) realism. Until now, I have been able to express myself best in the figurative, although I do not rule out anything for the future. As far as I am concerned, art is fluid and and artist never stop evolving. I do not wish to limit myself, neither to a medium, nor to autonomous art. I see myself much more as a conduit of concepts and ideas. Often my ideas are interspersed with philosophical questions and/or social themes that occupy me. I therefore sometimes set myself the task of casting these in project form, if only within the limitations of visual art. This has resulted in a number of projects varying from social to future-oriented.

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