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The composition is structured around four children placed in a row, separated from each other not only physically but also by the look. Each person embodies a feeling.
The dynamic of the background is maintained by the destructuring of the wall mosaics.
The composition is structured around four children placed in a row, separated from each other not only physically but also by the look. Each person embodies a feeling.
The dynamic of the background is maintained by the destructuring of the wall mosaics.
The composition is structured around four children placed in a row, separated from each other not only physically but also by the look. Each person embodies a feeling.
The dynamic of the background is maintained by the destructuring of the wall mosaics.
The composition is structured around four children placed in a row, separated from each other not only physically but also by the look. Each person embodies a feeling.
The dynamic of the background is maintained by the destructuring of the wall mosaics.
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Filhos de um Deus Maior (Children of a Greater God) Collage

Adelaide Morgado

Portugal

Collage, Paper on Paper

Size: 40.4 W x 22 H x 0.1 D in

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SOLD
Originally listed for $1,080
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About The Artwork

The composition is structured around four children placed in a row, separated from each other not only physically but also by the look. Each person embodies a feeling. The dynamic of the background is maintained by the destructuring of the wall mosaics.

Details & Dimensions

Collage:Paper on Paper

Original:One-of-a-kind Artwork

Size:40.4 W x 22 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Adelaide Morgado was born (n.1972) and studied in France. She currently lives in Aveiro, Portugal. She is currently studying Painting at the Faculty of Fine Arts in Porto. Body and facial language, expressiveness of gesture and color are the elements that give more strength to his work. Although she began painting with oil more than twenty-five years ago, watercolor is now the technique that is more versatile and better response to creative needs. His work is inspired by the strengths of Lita Cabellut and Nathan Ford's characters, Alberto Giacometti's sculptural constructions, Graham Dean's and Eric Lacombe's technique, and the merger of Kehinde Wiley's standards.

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