VIEW IN MY ROOM
Men with glasses Collage
Taiwan
Collage, Paper on Plastic
Size: 21.7 W x 21.7 H x 0 D in
About The Artwork
For me, all chance encounters are unique meanings happening, passing by the current time and space, capturing from the old photos as an unknown character. In the tedious and long collection and creation process, use a very intimate emotion to look at this character forgotten by time. Through the deconstruction of historical photos and the process of discussing pictures and memory degradation, I combine this temporality with the Image noise of analogue signal (Includes particles and text of digital images) Trying to piece together a process of time and information disintegration, For me, the image of history is repeatedly written and defined. The photographs and memories themselves have ended in the past and evolved into a flowing massage. Its existence is distanced from the viewer due to the accumulation of time and essence is gradually diluted. I tried to ask a question about how the "history" of the photo itself is understood and how things are viewed, Provide a clue through the visual language of art to discuss the history of photographers and the reimagination of portraits and bodies, a state in which modern humans lose their flesh, turning photos into a growing and fading life form.
Details & Dimensions
Collage:Paper on Plastic
Original:One-of-a-kind Artwork
Size:21.7 W x 21.7 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Taiwan
Wen Ching Hao’s work attempts to think about how to transfer from one social field to another in the image text, and the impact of an image being copied, embezzled and transformed in different cultural contexts. Explore the death and absence of death and things, by exchanging death, reveal the cruel character of death in an entertaining and enchanting way. Using new media installations, images, sounds, and paintings, the pieces of memory that remain in the frame of the work are translated into his unique deconstruction method, reshaping and recreating a new narrative context, the image is no longer The past is a rebirth after transformation. By manipulating the physical perception practice of each reader, the personal emotional level is awakened again, and we experience a "past-future-present moment" interlaced horizon.
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