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Obsessive doubt II - Collage

alain clément

France

Collage, Paper on Paper

Size: 9.8 W x 13 H x 0.1 D in

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$450

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About The Artwork

There is a link which brings together Rodin's "Thinker", in fact a bronze supposed to represent Dante (his first title), which was to appear in "The Gates of Hell", a work with a complicated history, and the doubt of which Dali was to be inspired for "Divine Comedy Paradis 07 -The new Doubt of Dante". This famous bronze (here the original plaster) represents the powerful body of a being violently tortured but also with a free spirit. Here he embraces, prey to doubt or intense reflection?, a very beautiful young woman; I imagined resting them on a flexible structure by Joe Colombo, (1930-1961), an innovative and futuristic Italian designer of the 20th century. “As much as knowing, doubting pleases me” (Dante Alighieri).

Details & Dimensions

Collage:Paper on Paper

Original:One-of-a-kind Artwork

Size:9.8 W x 13 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Le Vigan, small town in the South of France. I studied at the Universty of Montpellier Pharmacy and Medecine. I owe to Marc Dautry, classic engraver and sculptor (Montauban), to have been very early initiated to the field of Art. Later I met the surrealist painter, Bernard Louedin (Trebeurden), and developped a passion for this movement. I live and work now in Haute-Savoie near Annecy (France) and Geneva (Switzerland). At first glance my activity as Dr in medical biology did not predispose me to the practice of collage and photomontage if not my passion for Art,photography, surrealism, specially Man Ray, Dora Maar, Lee Miller, Max Ernst, Magritte and Hannah Hoch. My meeting with Josephine Sacabo, american photographer, was decisive; she introduced me to this art, and incited me to "always shift forward the reality". And this the way each of my collages is inspired by transposing fragments of live, where feelings, fantasies, and personal concerns are mingled. Beyond the resear that each project involves (magazines of art or photography, newspapers, photos, advertisings), beyond the time splent for realizig the work, beyond aesthetic concerns, the final result often emerges from these contengencies, and escape from the original idea, to become another, only remains the sincerity.

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