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Collage, Digital on Digital
Size: 11.8 W x 11.8 H x 0.1 D in
Ships in a Box
$240
Shipping included
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ABOUT THE ARTWORK
This piece lingered in my imagination for quite some time before I discovered the right elements to bring it to fruition. I had a clear vision of what I wanted to convey—knowing precisely what to say, show, and the impression I aimed to create. As with several other works, the linchpin here is the background. It's simple yet sophisticated, abstract yet evident, with a focus on the distant, enabling me to cultivate an atmosphere of entrapment. This sense is further emphasized by a game leading to a dead end and physical barriers that eliminate any possibility of escape. The upfront mask introduces ambiguity: did the protagonist willingly enter the labyrinth, or were they confined by external forces?
Original Created:
2022
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Collage:
Digital on Digital
Artist Produced Limited Edition of:
10
Size:
11.8 W x 11.8 H x 0.1 D in
Frame:
Black
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Germany.
Customs:
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Please visit our help section or contact us.
Elzbieta Zdunek
Germany
The quote by the Roman philosopher Phaedrus hasn’t lost its validity since the first century CE: “Things are not always what they seem; the first appearance deceives many”. Creating digital compositions in which all of the parts blend seamlessly together, while emanating the textures of ripped paper and ink marks commonly found in analog collage, is my primary goal throughout the artistic process. I want to make the viewer question what medium they are really looking at: digital collage, analog collage, or even photography? By intentionally obscuring the process behind my work, I seek to challenge the common opinion of what is considered ‘art’, and more specifically, what is considered ‘collage’. This sense of confusion surrounding my process also intentionally mirrors the feelings of confusion which I frequently address in the subject matter.
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