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Ashanti Artwork - Limited Edition of 5

Jackie Braitman

United States

Digital, Digital on Canvas

Size: 27 W x 36 H x 2 D in

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$920

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About The Artwork

This piece blends figurative grace with the spontaneity of impressionism. My digital canvas is a symphony of motion and emotion, capturing the ephemeral dance of light and shadow, inviting the viewer into a world beyond the seen to the desire inherent in dance. It's a rhapsody of color and form, aimed to echo in the viewer's soul, stirring feelings of liberation and the boundless spirit of being. My artwork is a vibrant addition that will breathe life and energy into any space, offering a daily dose of inspiration and wonder. The piece utilizes the 3D digital files I created to make my sculpture "The Goddess Ashanti" and re-imagines them. In this way, I'm able to capture the muscle memory and emotion of the dancer that inhabits my sculpture in new ways and for potentially new audiences.

Details & Dimensions

Digital:Digital on Canvas

Artist Produced Limited Edition of:5

Size:27 W x 36 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I sculpt movement. My challenge: How do I change static, unyielding materials into the essence of motion. My passion is the motion — not the material. And thus, I explore different materials, at different scales, and with different levels of abstraction to explore how to enhance a sense of rhythm and motion in a static sculpture. The female dancer is the ideal subject because we recognize and relate to the forms — even with differing levels of abstraction. In exploring different materials, I use the inherent quality of the material — such as the transparency of glass or the grain of the wood — to enhance the rhythm of the motion. For example, in my most recent series, the rhythmic repetition of hard planes of steel provides a dramatic type of rhythm that enhances the sense of motion. While the direction of the steel planes can emphasize the musculature of the body. I’ve had the privilege and pleasure of following my passions in life. It’s not that I have money – I’m neither rich nor poor. But I had an upbringing that taught me that happiness is more important than money. And that with grit and confidence, I could pursue whatever I wanted. I’ve supported myself with my passions for 50 years. Equally adept in both right- and left-brain activities, I’ve followed passions in both spheres. As a younger adult and mid-level professional, I pursued more analytic career such as software development and corporate management and relegated my artistic side to avocations. As I became more confident in myself, I found ways to integrate both the analytic and artistic into my later careers – first as the owner of a home design/remodeling firm and now as a full-time sculptor. My sculptural work is heavy in digital design and fabrication. While these career choices might seem disparate, the common thread is my nature as an agent of change. I can’t see something without wanting to improve it – whether it’s an organization, a process or a thing. When I was younger, I welcomed the challenge of improving the performance of organizations. As I got a bit older, I welcomed the challenge of improving the lives of homeowners. Now, I’m pursuing a more selfish challenge to explore my life-long attraction to the power of the body in motion. And my “change agency” shows itself by continuing to challenge myself to find better ways of depicting motion in static materials.

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