21 Views
2
View In My Room
Digital, Digital on Paper
Size: 12.4 W x 12.4 H x 0.1 D in
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21 Views
2
Artist featured in a collection
Igor Zeiger was born in 1977 in Tashkent, Uzbekistan to Mark Zeiger, an engineer and Larisa Yavetz, schoolteacher. He graduated from Tashkent University of Information Technologies with master's degree in communications. Zeiger immigrated to Israel in 2000, living first in kibbutz Ramat Hashofet, then Rehovot and moving to Tel Aviv in 2011. Igor Zeiger lives and works in Jaffa. Career Zeiger started with documentary photography as autodidact. He studied in Studio Gavra School of Photography in class of Sagit Zluf Namir, graduating in 2012. His mentors included David Adika, Gaston Zvi Ickowicz and Nissan N. Perez. In April 2015, Zeiger's photograph was published on the cover of "Israeli Lens" magazine, predecessor of international "Lens Magazine". In 2016, Igor's photograph was chosen as a poster photo for Paco Anselmi documentary film "Karam: A Matter Of Karma", screened at TLVFest. Zeiger lives and works in Jaffa. Zeiger is Fellow of the Royal Society of Arts. He is also a member of Israeli Association of Visual Artists and Royal Photographic Society. Zeiger founded artistic cooperative Beam Collective together with two fellow artists Maria Rosenblatt and Erica Tal-Shir in 2018. Zeiger works have been published in the several magazines and newspapers around the world, including Haaretz, Calcalist, Sky Arte Italia, Devour Madrid, Israeli Lens, Lens Magazine and The North American Post. Type: Art Print on museum archival quality paper with white margins. The print is signed by Igor Zeiger on the back and bares a stamp of Igor Zeiger Studio
2022
Digital on Paper
10
12.4 W x 12.4 H x 0.1 D in
Not Framed
No
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With photography I am trying to create new reality. It’s quest for perfection, for impeccable light. And, as every quest, it will never end. Because, in a fraction of second everything changes, creating more and more impressive visual concept. Most common perception is that photography is freezing the moment. I don't believe in it. It much more than that. Photography, as any other form of art is providing the basis for spectator to see what he desires to see. We just use the media of photography to aid people to get out of their mind borders, to use their imagination. My most happy moment is when a visitor in a gallery or exhibition does not ask what I meant in a specific photograph, but when I hear an explanation of what he sees and that explanation differs from what I saw when I made the picture. Because every picture is a world by itself, it is not a moment, frozen in time. The perfect picture for me is when everybody sees something that clicks the button and this something is always different.
Artist featured by Saatchi Art in a collection
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