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14/18: Nuns and soldiers Drawing

Eric Ezendam

France

Drawing, Charcoal on Paper

Size: 75.6 W x 51.2 H x 0 D in

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About The Artwork

The First World War of ‘14/’18, in France called “La Grande Guerre”, was a terrible mess for the whole of the Western World. In Belgium it was a disaster too. There are pictures left from desperate soldiers that apparently lost their way (and everything else) finding a moment of “rest” with the Nonnekes. This year, being 2018, there were a lot of commemorations. In the beginning. But fitting the superficial ways of these times it became quickly very quiet. Time to create some work in memory of those wasteful years. This is a charcoal inspired by a picture of those nuns amidst some poor soldiers. It somehow became a rather large work (192 x 130 cm.); I combined a few pieces of paper to give everybody it’s rightful place. Once started it became one of a series of drawings and lithographs. We are having a beautiful end of a super summer. It is 2018, enjoy.

Details & Dimensions

Multi-paneled Drawing:Charcoal on Paper

Original:One-of-a-kind Artwork

Size:75.6 W x 51.2 H x 0 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Eric Ezendam was born in Amsterdam, in the Netherlands, where he studied Art and Art history at the Rietveld Academy. Later on in Milan, he immersed himself in the world of graphic design, and through the ensuing years combined that profession with the fine Arts. He worked many years from Amsterdam, also a year in in Italy, in Rome and afterwards he travelled through many other countries. Since 2000 he has devoted his talent exclusively to fine Art, with his graphic work greatly enhanced by his knowledge of the computer. In addition to drawing with charcoal (often in large format) and terracotta chalk or Indian inks, along with oil painting on canvas, he finds the computer a fascinating medium for exploring new ways of expression. Many of his works are printed in high quality very limited editions (rarely more than 10 prints), but of course his charcoals are unica, as are his unique reworked large Giclées. “Ezendam is a master of all weapons” wrote the late Martin van Amerongen when he was editor-in-chief of the Dutch weekly De Groene. While interviewing Ezendam for his radio programme, ‘Visiting Artists in Their Studio’ art critic Toine Moerbeek exclaimed: “Those mysterious, sometimes cynical scenes you create, Eric, that’s pure theatre of the absurd. And those superb very large drawings, they are the result of a lifelong passion!”. And Gallery-owner Anne-Claire Vogtschmidt discerned in the artist’s oeuvre an almost metaphysical aspect: “Time in his work plays a different role, reality is somewhat pushed aside or backwards, and we, beautiful in our ugliness, we are put there in a loving way in this place where we haven’t been before.”

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