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'And the moon is the only light we'll see' Drawing

Philip Leister

Drawing, Acrylic on Canvas

Size: 16 W x 20 H x 0.2 D in

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About The Artwork

When the night has come And the land is dark And the moon is the only light we'll see No, I won't be afraid Oh, I won't be afraid Just as long as you stand Stand by me So darlin', darlin' Stand by me, oh, stand by me Oh, stand, stand by me Stand by me If the sky that we look upon Should tumble and fall Or the mountain should crumble to the sea I won't cry, I won't cry No, I won't shed a tear Just as long as you stand Stand by me And darlin', darlin' Stand by me, oh, stand by me Oh, stand now, stand by me Stand by me Darlin', darlin' Stand by me, oh, stand by me Oh, stand now, stand by me Stand by me Whenever you're in trouble Won't you stand by me? Oh, stand by me Won't you stand now? Oh, stand, stand by me ‘Stand by Me’ by Ben E. King Songwriters: Ben E. King / Jerry Leiber / Mike Stoller "Stand by Me" is a song originally performed in 1961 by American singer-songwriter Ben E. King and written by him, along with Jerry Leiber and Mike Stoller, who together used the pseudonym Elmo Glick. According to King, the title is derived from, and was inspired by, a spiritualwritten by Sam Cooke and J. W. Alexander called "Stand by Me Father," recorded by the Soul Stirrers with Johnnie Taylor singing lead. The third line of the second verse of the former work derives from Psalm 46:2c/3c. It was featured on the soundtrack of the 1986 film of the same name, and a corresponding music video, featuring King along with actors River Phoenix and Wil Wheaton, was released to promote the film. It was also featured in a 1987 European commercial of Levi's 501 jeans, contributing to greater success in Europe. In 2012, its royalties were estimated to have topped $22.8 million (£17 million), making it the sixth highest-earning song as of its era. 50% of the royalties were paid to King. In 2015, King's original version was inducted into the National Recording Registry by the Library of Congress, as "culturally, historically, or aesthetically significant", just under five weeks before his death. Later in the year, the 2015 lineup of the Drifters recorded it in tribute. There have been over 400 recorded versions of the song, performed by many artists, notably Otis Redding, John Lennon, Cassius Clay (later Muhammad Ali), 4 the Cause, Tracy Chapman, musicians of the Playing for Change project, Florence and the Machine, and the Kingdom Choir. A-League club Melbourne Victory FC play this song before home matches, while fans raise their scarves above their heads and sing the lyrics. Benjamin Earl King (né Nelson; September 28, 1938 – April 30, 2015) was an American soul and R&B singer and record producer. He is best known as the singer and co-composer of "Stand by Me"—a U.S. Top 10 hit, both in 1961 and later in 1986 (when it was used as the theme to the film of the same name), a number one hit in the United Kingdom in 1987, and number 25 on the RIAA's list of Songs of the Century—and as one of the principal lead singers of the R&B vocal group The Drifters, notably singing the lead vocals of one of their biggest global hit singles (and only U.S. No. 1 hit), "Save the Last Dance for Me”. Source: Wikipedia

Details & Dimensions

Drawing:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:16 W x 20 H x 0.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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