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"Between What Is Said" Drawing

→ Navid Abbasi, United Kingdom

Drawing, Charcoal on Paper

10.6 W x 9 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$455

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Faces of Love & Despair A series of charcoal portraits exploring emotional fragmentation, vulnerability, and the instability of the self under the weight of feeling. Title: Between What Is Said A fractured profile caught mid-thought, where speech and silence overlap. The face drifts between clari...

Year Created:

2025

Subject:

Mediums:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

10.6 W x 9 H x 0.1 D in

Ready to Hang:

No

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Navid Abbasi

About the Artist

Navid Abbasi

United Kingdom

My work begins in silence. A mark, a movement, a hesitation. Charcoal drags across the surface — not to describe, but to uncover. Each drawing is an act of searching, a negotiation between intention and accident. I work with the immediacy of gesture, letting the line find its own rhythm, its own language of emotion.

I am drawn to the instability of form — the way a face, a figure, or a thought can dissolve into texture and tone. Charcoal and ink allow me to explore that moment between recognition and abstraction, where something is both emerging and vanishing. This tension — between control and release, structure and chaos — is where the work lives.

Influenced by Bacon’s psychological intensity, Auerbach’s layered persistence, and Miró’s lyrical freedom, I aim to capture something beyond representation: the residue of presence, the vibration of being. Each piece becomes less about what is seen, and more about what is felt — an imprint of thought, gesture, and vulnerability.

Through these drawings, I try to hold onto the fleeting — the raw pulse of emotion before it resolves into meaning.

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