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Blues In G (Hand Playing Piano) Drawing

Jay Worth Allen

United States

Drawing, Ink on Paper

Size: 30 W x 22.5 H x 0.1 D in

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About The Artwork

Artist: Jay Worth Allen Title: “Blues In G” (late 2023) alternate title: Hand On Piano Keys approx. 30” H x 22.5” W (76.2cm x 57.15cm)* Pen and Ink on watercolour paper. [Black ink on textured, heavy-weight White Strathmore 400 Cold Press Watercolor Paper with feathered deckle edges on two sides.] Line Art. “Blues In G” is a unique work from an evolving new body of work minimalistic in substrate yet full in communicating volumes — in which the artist, Jay Worth Allen, “decided to see how little I could paint, or draw, on a white surface and still have the movement, the emotion, the image, the moment, the communication fully without lacking anything in the translation of the piece to the eye of the beholder.” Imagery: Extreme close-up of hand and piano keyboard — fingers on hand pressing piano keys, playing blues. Anyone who has even a limited knowledge of Jay Allen’s work is well aware that music plays an integral part in everything he creates — Therefore, it’s no surprise that the recurring theme inherent in “Blues In G” would be a part of this magnificent series. “Blues In G” from the title, to the imagery, “Blue In G” is one of Jay Worth Allen’s signature subjects — one could even infer, a self-portrait of sorts. Like Jasper Johns “Robes” or Degas’ Ballerinas, Jay Worth Allen’s close-up of a hand in mid-play on a piano spans many decades and multiple disciplines — the beginnings of which was a national photography contest in Dallas in 1976. To learn more about the rich journey of this artist’s iconic image, see “What It’s Like To Play Jazz”, from an internationally recognized series of the same name. And, please visit “View From Outside My Studio Window” to read more about this fascinating new series from an eloquent, established master of visual works, Jay Worth Allen. *[Sizes listed are approximate to within 1/16 to 1/8 inch (.0625” to .1250”), as each sheet is unique.]

Details & Dimensions

Drawing:Ink on Paper

Original:One-of-a-kind Artwork

Size:30 W x 22.5 H x 0.1 D in

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— Artist Statement — I was born. When I was about 6, I started drawing. Later, I started painting. That's still what I'm doing. What I know, I put into my work. I am interested in visible or tangible things that ARE, rather than Opinion. In my work, there are pre-formed, conventional, depersonalized, factual elements — impartial objects. I am concerned with the wholeness of a thing remaining within the boundaries of knowledge. It is within this boundary that I strive to conceal and reveal known objects at the same time. We have an existing language of words, signs, symbols, shapes, formulas, treatises, poems and the like — whole bodies of belief and knowledge that can, presumably, describe and penetrate anything and everything. Yet, I am forced to recognize that the system which enables me to form a piece of art and to think coherently cannot define how I uniquely think or feel, or even how I picture myself and everything outside myself. The plane of my work has always been real things — REAL MOMENTS RESTING IN TIME, where the ideational and perceptual worlds intersect to form image, idea, icon, and space, and — where I, and therefore the viewer, is projected through to another reality. Technique is inextricably tied to the content of my work. By working in all mediums, I work with numerous techniques. As a painter, acrylic is my medium of choice. My 3D & sculptural materials range from chicken wire to wood to concrete blocks to whatever material I find in my field of sight. The methods I use in printmaking (woodblock, silkscreen, blueprints, lithographs) all combine multiple processes. For me there is no hierarchy among these mediums and techniques; yet, drawing is the foundation for all my work. It’s is the way I speak the best, the clearest. — Brief Bio — On March 6 (the anniversary of Michelangelo’s birthday), J. Worth Allen (“Jay”) was born in Daylight, Tennessee. He grew up in Austin. Studied in Memphis, London, Oxford, New York, Los Angeles—. Has exhibited in New York, Texas, California, London, Edinburgh, France, and beyond. At 16, he was accepted into the top 3 art schools in the nation, each, with full scholarships: Pratt Institute/Fine Art, The Art Institute of Chicago and The Art Academy in Memphis, which won out (via a cartographical nudge from his dad).

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