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Disco Fever (Contact) Drawing

Philip Leister

Drawing, Marker on Canvas

Size: 48 W x 48 H x 1.5 D in

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About The Artwork

Contact! Across the crowded disco room Through a maze of dancing people She sits so quiet and all alone Wanting to get the disco fever And then she raised her head Her eyes caught mine And that was all that I needed In her eyes I saw the need for love The warm, soft feeling 'Cause we made Eye to eye contact Eye to eye contact (Oh, oh, oh yeah) Eye to eye contact (We made) Eye to eye contact You and me Contact! You were looking at me I was looking at you You were looking at me Across the crowded disco room Oh, your eyes told me the story My heart was beating like the drum As I fought my way over I never took my eyes away from yours Not even for a moment What I saw in your eyes made me realize (You I wanted) Yeah, yeah, yeah Eye to eye contact (We made) Eye to eye contact (Oh, oh, oh yeah) Eye to eye contact (We made) Eye to eye contact You and me I was looking at you You were looking at me I was looking at you You were looking at me Contact! Girl don't you get uptight Just dance Everything gonna be alright Just dance Take a chance Oh, and dance I sure like what you got You sho nuff looking hot (dance) I sure like what you got You sho nuff looking hot (dance) Yeah, come on and dance 'Contact' by Edwin Starr Songwriters: Arthur Pullam / Robert Dickerson / Edwin Starr Mark Watney: Tell Commander Lewis, disco sucks. [Mission Control: Uhhh, copy that... What's with all the disco hate?] Disco Stu: Whoa, Frank Sinatra! Sinatra: For me, this is hell. You dig, pally?

Details & Dimensions

Drawing:Marker on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 48 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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