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Drawing, Pastel on Paper
Size: 27.3 W x 19.6 H x 0.1 D in
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Eldorado This nude pastel drawing in the Golden series resembles a previous pastel ‘Nude – 02-02-19’ a bit. However, I put the stress on skin hues in order to stay in line with the purpose of the series. The objective was to honor my model’s skin hues. She has Indian genes and shows these incredible colors in a range from yellow up to purple. If the legend of Eldorado was to be true she certainly would be his descendant. Divisionism Since decades I am a fan of impressionists and pointillists. Neo-impressionists developed this divisionism theory. For sure I could explain it to you in full but you simply can click the link to read more. It focuses on having two color patches converge into a single impression (new sort of color) from a distance. Color Wheel Sin This pastel is no exception to or new as to previous works. What might be new is that I sinned against Raphael’s color rule: use only 5 base colors. I used all 6 on the color wheel. I found out that it does not matter or does the depiction a lot of harm. I was in need to use the whole color spectrum in order to be able to get the right greyish effects in all colors. Play of Color, Chroma and Saturation Of course the foundation on which this drawing rests is the right interpretation of tonal values. In addition to that I played around with the chroma and saturation of colors. Divisionism comes as a tool to create gray colors and that is what I did. For example in the thigh I placed yellow and pink / purple strokes next to eachother, letting them gray. The green strokes next to the yellow enforce eachother because they are quite analogue. The pinks next to the greens in the sheets around her are conducive to that same graying effect. The overall result is a graying effect at a distance but a whirlpool of vibrant colors up close. Two different drawings for the price of one. Pastel drawing on paper (69.4 x 49.8 x 0.1 cm) Artist: Corné Akkers
2021
Pastel on Paper
One-of-a-kind Artwork
27.3 W x 19.6 H x 0.1 D in
Not Framed
Not applicable
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Netherlands.
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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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