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Grip, Dickens’ Raven Drawing

Philip Leister

Drawing, Marker on Canvas

Size: 24 W x 18 H x 0.2 D in

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$300

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About The Artwork

Grip was a talking raven kept as a pet by Charles Dickens. She was the basis for a character of the same name in Dickens's novel Barnaby Rudge and is generally considered to have inspired the eponymous bird from Edgar Allan Poe's poem "The Raven". Grip lived with the Dickens family in their home at 1 Devonshire Terrace, Marylebone. She could repeat several phrases, she buried coins and cheese in the garden, and she often bit people, including the coachman and the children. Following an incident where Grip bit one of the Dickens children, she was banished to the shed. Grip died in 1841, possibly from lead poisoning after consuming a large amount of lead paint. After a necropsy, Dickens had her stuffed and mounted. She was displayed above the desk in his study and he replaced her with another raven he also named Grip. Her remains passed through the hands of several collectors after Dickens's death and are now on display in the Rare Book Department of the Parkway Central Library in Philadelphia. Source: Wikipedia

Details & Dimensions

Drawing:Marker on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 18 H x 0.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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