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‘I Love It When You Smile’ Drawing

Philip Leister

Drawing, KRINK on Canvas

Size: 18 W x 24 H x 0.2 D in

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About The Artwork

Beat city now now, Beat beat, Beat city now now, Woo-oo-oo, Beat city now now, Beat beat, Beat beat, Beat city, I watch you tumble down. Roll into America, Roll your hands in policies, I love it when you smile, I love it when you Sing, sing, sing, sing, sing, sing. Roll and show hold out your hand? Put some dollars down, you're wild, When it takes you by surprise, I'll be there to watch you, Run, run, run, run , run, Beat city, Beat beat, Beat city now now, Woo-oo-oo, Beat city now now, Beat beat, I watch you tumble down, Roll and show a classy man, Close your eyes put by his arm To the memory I behold, Where you go, Oh I don't know, Don't fear nothing It's so real, I really hurt, the hurt that I feel I take you down to the heart of the fire Beat city, Beat beat, Beat city now now, Woo-oo-oo, Beat city now now, Beat beat, Beat city, I watch you tumble down. ‘Beat City’ by The Flowerpot Men Daniel Hillard: I'm ready for my close-up, Mr. DeMille.

Details & Dimensions

Drawing:KRINK on Canvas

Original:One-of-a-kind Artwork

Size:18 W x 24 H x 0.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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