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VIEW IN MY ROOM

'I've got to feel it with the hot mind on' Drawing

Philip Leister

Drawing, Paint Pen on Canvas

Size: 24 W x 18 H x 0.2 D in

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About The Artwork

I'm rolling... I've gotta get a new balm I've gotta get a tight tension on I've got to slip it up before the rush gets gone I've got to feel it with the hot mind on I'm rolling Hey Norman was it thrown with a broken arm? Bottle it up, to keep it warm I'm rolling I know you got it but you got to go I'm gonna get into the batter so the mix might glow I hate to do it, but I did it though I'm gonna bite into the body like the risk is no risk I got the souped up car and what you call tripping on the boom bap etymological I ride the fader and I ride it low I'm gonna slip into the field like Han Solo I'm rolling One two into the amplifier, the electrified two Into the amplifier, and you got to get to Into the amplifier, one two into the amplifier I'm rolling ‘Rolling’ by Sould Coughing Songwriters: Mark Degliantoni / Michael Doughty / Sebastian Steinberg / Yuval Gabay El Oso (Spanish for The Bear), released in 1998 (see 1998 in music), is the third and final studio album by the New York City band Soul Coughing. Before starting work on the album, the band toured with Full Cycle DJs Krust and Die supporting (their band, Roni Size' Reprazent, won the Mercury Prize in 1997 and thus the duo were in denial to produce the album). As such, the disc is marked by a deep drum and bass influence and by a scattershot approach to production: Tchad Blake (the band's own Ruby Vroom, Latin Playboys, Sheryl Crow), Pat Dillett (They Might Be Giants, Doveman, Mary J. Blige), and British drum and bass DJ Optical (Goldie, Grooverider, Ed Rush). Artist Jim Woodring (Frank) drew the cartoon "monkey-bear" on the disc's cover. The chorus of the song "$300" is a sample of a Chris Rock joke; singer Mike Doughty heard the joke which is backmasked on Rock's Roll with the New. Curious, Doughty recorded it into his ASR-10 sampler with the intention of simply reversing it and seeing what the joke was, and wrote the song around what he found there. The song was used in the House episode "The Softer Side" in 2009. The disc contained their biggest hit single, "Circles". Tchad Blake, who produced the tune, hated it, and told them it would be a mistake to release it[according to whom?]. Cartoon Network gave it a music video in which a Flintstones cartoon was synched to the song as part of their Groovies interstitial. The music video featured Fred, Barney and other Hanna-Barbera characters walking in front of the same repeating background. The video for the song "Rolling" was also produced, which was synced with a scene from a Betty Boop cartoon. The song was used in the 2004 remake of Walking Tall. El Oso made #1 on KTUH's charts on the week of January 25, 1999. Soul Coughing was an American alternative rock band composed of vocalist/guitarist Mike Doughty (also known as M. Doughty), keyboardist/sampler Mark Degli Antoni, bassist Sebastian Steinberg, and drummer Yuval Gabay. Soul Coughing developed a devout fanbase and garnered largely positive response from critics. Steve Huey of AllMusic describes the band as "one of the most unusual cult bands of the 1990s... driven by frontman Mike Doughty's stream-of-consciousness poetry. Soul Coughing's sound was a willfully idiosyncratic mix of improvisational jazz grooves, oddball samples, hip hop, electronics, and noisy experimentalism." The band's sound was described by Doughty as "deep slacker jazz.” All of the members of Soul Coughing were regulars at The Knitting Factory, a New York City nightclub and performance venue that was part of the experimental downtown scene of the 1980s and 1990s. Doughty was a doorman known for his improvised comedic quasi-raps, while the others appeared at the Knitting Factory in various bands. Doughty, Degli Antoni, and Steinberg all performed in versions of John Zorn's composition Cobra, appearing on John Zorn's Cobra: Live at the Knitting Factory (recorded 1992, released 1995)." Within a year of their formation, the band was signed to Slash Records, a subsidiary of Warner Bros. Records. They released three albums: Ruby Vroom (1994), Irresistible Bliss (1996), and El Oso (1998), with the latter showing a marked drum and bass influence. Irresistible Blissand El Oso both reached the Billboard 200 albums chart. They enjoyed minor hit singles with "Soundtrack to Mary" and "Super Bon Bon.” In 1996, Soul Coughing contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization. Also in 1996, the song "Unmarked Helicopters" was included in the Songs in the Key of X: Music from and Inspired by the X-Files. The band also placed songs in the soundtracks to the films Batman & Robin ("The Bug"), Tommy Boy ("Is Chicago, Is Not Chicago") and Spawn ("A Plane Scraped Its Belly on a Sooty Yellow Moon" featuring Roni Size). Their song "Super Bon Bon" was included on the soundtrack for the PlayStation game Gran Turismo 2 in 1999 and the soundtrack for the 2K Sports video game The Bigs 2 in 2009. The song "Circles" from El Oso reached #8 on the Billboard Alternative Songs chart, and was used as the soundtrack to a Cartoon Network extended commercial that poked fun at repeating cartoon backgrounds. Soul Coughing broke up in 2000, after years of feuding over songwriting credits and publishing. Mark Degli Antoni moved on to a career as a film score composer, while Mike Doughty began a prolific solo career, occasionally revisiting Soul Coughing songs in new styles. Lust in Phaze, a greatest hits compilation including a few B-sides, was released in 2002. Rhino Records reissued Soul Coughing's three studio albums on 180-gram black vinyl in 2015. This marks the first time Ruby Vroom had been pressed to vinyl. In 2017, Swedish record label Woah Dad! acquired Soul Coughing's back catalog from Slash Records. Soul Coughing was honored with a star on the outside mural of the Minneapolis nightclub First Avenue, recognizing performers who have played sold-out shows or have otherwise demonstrated a major contribution to the culture at the iconic venue. Receiving a star "might be the most prestigious public honor an artist can receive in Minneapolis," according to journalist Steve Marsh. Despite being from New York, Soul Coughing was especially popular in Minneapolis thanks to airplay on alternative radio station Rev 105, and regularly performed to audiences 5 to 10 times larger than in other cities. Source: Wikipedia

Details & Dimensions

Drawing:Paint Pen on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 18 H x 0.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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