VIEW IN MY ROOM
France
Drawing, Marker on Paper
Size: 9.8 W x 13.8 H x 0.1 D in
Ships in a Tube
To make a declaration of love is to move on from the event-encounter to embark on a construction of truth. The chance nature of the encounter morphs into the assumption of a beginning. And often what starts there lasts so long, is so charged with novelty and experience of the world that in retrospect it doesn’t seem at all random and contingent, as it appeared initially, but almost a necessity. That is how chance is curbed: the absolute contingency of the encounter with someone I didn’t know finally takes on the appearance of destiny. The declaration of love marks the transition from chance to destiny, and that’s why it is so perilous and so burdened with a kind of horrifying stage fright.
Drawing:Marker on Paper
Original:One-of-a-kind Artwork
Size:9.8 W x 13.8 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
Living and working in Paris – painter, visual artist, video maker - performer and photographer, I am interested in “Open Work", as a parallel to Ezra Pound’s note that each artist is always a Troubadour. In my approach to visual arts I am combining two different sensibilities. In one hand I am a colorist, filling the void of our perception. On the other hand I explore artistic presentations of philosophical concepts. The dialectics of those two approaches results in never ending process of creation, since, the new technologies, which facilitate "versioning", collaboration and "forking" fit perfectly the concept of Umberto Eco's "open work". To be more specific - art is communication that “happens” more intensively in collaboration, where the “inbetweener” space is established by two or more artists as a declination of rigged by conflits "Friendship Studies". My recent work is based on research considering everything that imply authorship, fragmented or composed, thinking as tinkering, "bricolage" or glitch (as a third author) – the late revealing the unintentional functioning of the brain and the human memory as well as bugged software algorithms and hardware. The language itself, in all its manifestations, took a preponderant place in my visual research. My exploitation of digital technologies is influenced by the possibility of keeping the track of that specific multi layer cooperation, multi level superposition of human and the machine.
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