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In Japanese mythology, Izanami no mikoto (伊弉冉尊/伊邪那美命, meaning "she who invites”) is a goddessof both creation and death, as well as the former wife of the god Izanagi-no-mikoto. She is also referred to as Izanami no kami.

The first gods Kunitokotachi and Amenominakanushi summoned two divine beings into existence, the male Izanagi and the female Izanami, and charged them with creating the first land. To help them do this, Izanagi and Izanami were given a spear decorated with jewels, named Amenonuhoko (heavenly spear). The two deities then went to the bridge between heaven and earth, Ame-no-ukihashi ("floating bridge of heaven"), and churned the sea below with the spear. When drops of salty water fell from the spear, Onogoroshima was created. They descended from the bridge of heaven and made their home on the island.

Eventually they wished to be mated, so they built a pillar called Ame-no-mihashira ("pillar of heaven"; the mi- is an honorific prefix) and around it they built a palace called Yahiro-dono (one hiro is approximately 1.82 m, so the "eight-hiro-palace" would have been 14.56 m). Izanagi and Izanami circled the pillar in opposite directions and, when they met on the other side, Izanami spoke first in greeting. Izanagi did not think that this was proper, but they mated anyhow. They had two children, Hiruko ("leech-child"), who later came to be known in Shintoism as the god Ebisu, and Awashima, but they were born deformed and were not considered deities.

They put the children into a boat and set them out to sea, then petitioned the other gods for an answer as to what they did wrong. They were told that the male deity should have spoken first in greeting during the marriage ceremony. So Izanagi and Izanami went around the pillar again, this time Izanagi speaking first when they met, and their marriage was finally successful.


Izanagi (イザナギ) or Izanaki (イザナキ) is a creator deity (kami) in Japanese mythology. He and his sister-wife Izanamiare the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo.
His name is given in the Kojiki (ca. 712 CE) both as Izanagi-no-Kami (伊邪那岐神) and Izanagi-no-Mikoto (伊邪那岐命), while the Nihon Shoki (720 CE) refers to him as Izanagi-no-Mikoto, with the name written in different characters (伊弉諾尊).

The names Izanagi (Izanaki) and Izanami are often interpreted as being derived from the verb izanau (historical orthography izanafu) 'to invite', with -ki / -gi and -mi being taken as masculine and feminine suffixes, respectively. Shiratori Kurakichi proposed an alternative theory which instead sees the root iza- (or rather isa-) to be derived from isao(historical orthography: isawo) meaning 'achievement' or 'merit’.


Kojiki (古事記, "Records of Ancient Matters" or "An Account of Ancient Matters"), also sometimes read as Furukotofumi, is an early Japanese chronicle of myths, legends, songs, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the kami (神), and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the Kojiki as well as the Nihon Shoki (日本書紀) are part of the inspiration behind many practices. Later, the myths were re-appropriated for Shinto practices such as the misogi purification ritual.

Source: Wikipedia
In Japanese mythology, Izanami no mikoto (伊弉冉尊/伊邪那美命, meaning "she who invites”) is a goddessof both creation and death, as well as the former wife of the god Izanagi-no-mikoto. She is also referred to as Izanami no kami.

The first gods Kunitokotachi and Amenominakanushi summoned two divine beings into existence, the male Izanagi and the female Izanami, and charged them with creating the first land. To help them do this, Izanagi and Izanami were given a spear decorated with jewels, named Amenonuhoko (heavenly spear). The two deities then went to the bridge between heaven and earth, Ame-no-ukihashi ("floating bridge of heaven"), and churned the sea below with the spear. When drops of salty water fell from the spear, Onogoroshima was created. They descended from the bridge of heaven and made their home on the island.

Eventually they wished to be mated, so they built a pillar called Ame-no-mihashira ("pillar of heaven"; the mi- is an honorific prefix) and around it they built a palace called Yahiro-dono (one hiro is approximately 1.82 m, so the "eight-hiro-palace" would have been 14.56 m). Izanagi and Izanami circled the pillar in opposite directions and, when they met on the other side, Izanami spoke first in greeting. Izanagi did not think that this was proper, but they mated anyhow. They had two children, Hiruko ("leech-child"), who later came to be known in Shintoism as the god Ebisu, and Awashima, but they were born deformed and were not considered deities.

They put the children into a boat and set them out to sea, then petitioned the other gods for an answer as to what they did wrong. They were told that the male deity should have spoken first in greeting during the marriage ceremony. So Izanagi and Izanami went around the pillar again, this time Izanagi speaking first when they met, and their marriage was finally successful.


Izanagi (イザナギ) or Izanaki (イザナキ) is a creator deity (kami) in Japanese mythology. He and his sister-wife Izanamiare the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo.
His name is given in the Kojiki (ca. 712 CE) both as Izanagi-no-Kami (伊邪那岐神) and Izanagi-no-Mikoto (伊邪那岐命), while the Nihon Shoki (720 CE) refers to him as Izanagi-no-Mikoto, with the name written in different characters (伊弉諾尊).

The names Izanagi (Izanaki) and Izanami are often interpreted as being derived from the verb izanau (historical orthography izanafu) 'to invite', with -ki / -gi and -mi being taken as masculine and feminine suffixes, respectively. Shiratori Kurakichi proposed an alternative theory which instead sees the root iza- (or rather isa-) to be derived from isao(historical orthography: isawo) meaning 'achievement' or 'merit’.


Kojiki (古事記, "Records of Ancient Matters" or "An Account of Ancient Matters"), also sometimes read as Furukotofumi, is an early Japanese chronicle of myths, legends, songs, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the kami (神), and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the Kojiki as well as the Nihon Shoki (日本書紀) are part of the inspiration behind many practices. Later, the myths were re-appropriated for Shinto practices such as the misogi purification ritual.

Source: Wikipedia
In Japanese mythology, Izanami no mikoto (伊弉冉尊/伊邪那美命, meaning "she who invites”) is a goddessof both creation and death, as well as the former wife of the god Izanagi-no-mikoto. She is also referred to as Izanami no kami.

The first gods Kunitokotachi and Amenominakanushi summoned two divine beings into existence, the male Izanagi and the female Izanami, and charged them with creating the first land. To help them do this, Izanagi and Izanami were given a spear decorated with jewels, named Amenonuhoko (heavenly spear). The two deities then went to the bridge between heaven and earth, Ame-no-ukihashi ("floating bridge of heaven"), and churned the sea below with the spear. When drops of salty water fell from the spear, Onogoroshima was created. They descended from the bridge of heaven and made their home on the island.

Eventually they wished to be mated, so they built a pillar called Ame-no-mihashira ("pillar of heaven"; the mi- is an honorific prefix) and around it they built a palace called Yahiro-dono (one hiro is approximately 1.82 m, so the "eight-hiro-palace" would have been 14.56 m). Izanagi and Izanami circled the pillar in opposite directions and, when they met on the other side, Izanami spoke first in greeting. Izanagi did not think that this was proper, but they mated anyhow. They had two children, Hiruko ("leech-child"), who later came to be known in Shintoism as the god Ebisu, and Awashima, but they were born deformed and were not considered deities.

They put the children into a boat and set them out to sea, then petitioned the other gods for an answer as to what they did wrong. They were told that the male deity should have spoken first in greeting during the marriage ceremony. So Izanagi and Izanami went around the pillar again, this time Izanagi speaking first when they met, and their marriage was finally successful.


Izanagi (イザナギ) or Izanaki (イザナキ) is a creator deity (kami) in Japanese mythology. He and his sister-wife Izanamiare the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo.
His name is given in the Kojiki (ca. 712 CE) both as Izanagi-no-Kami (伊邪那岐神) and Izanagi-no-Mikoto (伊邪那岐命), while the Nihon Shoki (720 CE) refers to him as Izanagi-no-Mikoto, with the name written in different characters (伊弉諾尊).

The names Izanagi (Izanaki) and Izanami are often interpreted as being derived from the verb izanau (historical orthography izanafu) 'to invite', with -ki / -gi and -mi being taken as masculine and feminine suffixes, respectively. Shiratori Kurakichi proposed an alternative theory which instead sees the root iza- (or rather isa-) to be derived from isao(historical orthography: isawo) meaning 'achievement' or 'merit’.


Kojiki (古事記, "Records of Ancient Matters" or "An Account of Ancient Matters"), also sometimes read as Furukotofumi, is an early Japanese chronicle of myths, legends, songs, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the kami (神), and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the Kojiki as well as the Nihon Shoki (日本書紀) are part of the inspiration behind many practices. Later, the myths were re-appropriated for Shinto practices such as the misogi purification ritual.

Source: Wikipedia
In Japanese mythology, Izanami no mikoto (伊弉冉尊/伊邪那美命, meaning "she who invites”) is a goddessof both creation and death, as well as the former wife of the god Izanagi-no-mikoto. She is also referred to as Izanami no kami.

The first gods Kunitokotachi and Amenominakanushi summoned two divine beings into existence, the male Izanagi and the female Izanami, and charged them with creating the first land. To help them do this, Izanagi and Izanami were given a spear decorated with jewels, named Amenonuhoko (heavenly spear). The two deities then went to the bridge between heaven and earth, Ame-no-ukihashi ("floating bridge of heaven"), and churned the sea below with the spear. When drops of salty water fell from the spear, Onogoroshima was created. They descended from the bridge of heaven and made their home on the island.

Eventually they wished to be mated, so they built a pillar called Ame-no-mihashira ("pillar of heaven"; the mi- is an honorific prefix) and around it they built a palace called Yahiro-dono (one hiro is approximately 1.82 m, so the "eight-hiro-palace" would have been 14.56 m). Izanagi and Izanami circled the pillar in opposite directions and, when they met on the other side, Izanami spoke first in greeting. Izanagi did not think that this was proper, but they mated anyhow. They had two children, Hiruko ("leech-child"), who later came to be known in Shintoism as the god Ebisu, and Awashima, but they were born deformed and were not considered deities.

They put the children into a boat and set them out to sea, then petitioned the other gods for an answer as to what they did wrong. They were told that the male deity should have spoken first in greeting during the marriage ceremony. So Izanagi and Izanami went around the pillar again, this time Izanagi speaking first when they met, and their marriage was finally successful.


Izanagi (イザナギ) or Izanaki (イザナキ) is a creator deity (kami) in Japanese mythology. He and his sister-wife Izanamiare the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo.
His name is given in the Kojiki (ca. 712 CE) both as Izanagi-no-Kami (伊邪那岐神) and Izanagi-no-Mikoto (伊邪那岐命), while the Nihon Shoki (720 CE) refers to him as Izanagi-no-Mikoto, with the name written in different characters (伊弉諾尊).

The names Izanagi (Izanaki) and Izanami are often interpreted as being derived from the verb izanau (historical orthography izanafu) 'to invite', with -ki / -gi and -mi being taken as masculine and feminine suffixes, respectively. Shiratori Kurakichi proposed an alternative theory which instead sees the root iza- (or rather isa-) to be derived from isao(historical orthography: isawo) meaning 'achievement' or 'merit’.


Kojiki (古事記, "Records of Ancient Matters" or "An Account of Ancient Matters"), also sometimes read as Furukotofumi, is an early Japanese chronicle of myths, legends, songs, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the kami (神), and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the Kojiki as well as the Nihon Shoki (日本書紀) are part of the inspiration behind many practices. Later, the myths were re-appropriated for Shinto practices such as the misogi purification ritual.

Source: Wikipedia
In Japanese mythology, Izanami no mikoto (伊弉冉尊/伊邪那美命, meaning "she who invites”) is a goddessof both creation and death, as well as the former wife of the god Izanagi-no-mikoto. She is also referred to as Izanami no kami.

The first gods Kunitokotachi and Amenominakanushi summoned two divine beings into existence, the male Izanagi and the female Izanami, and charged them with creating the first land. To help them do this, Izanagi and Izanami were given a spear decorated with jewels, named Amenonuhoko (heavenly spear). The two deities then went to the bridge between heaven and earth, Ame-no-ukihashi ("floating bridge of heaven"), and churned the sea below with the spear. When drops of salty water fell from the spear, Onogoroshima was created. They descended from the bridge of heaven and made their home on the island.

Eventually they wished to be mated, so they built a pillar called Ame-no-mihashira ("pillar of heaven"; the mi- is an honorific prefix) and around it they built a palace called Yahiro-dono (one hiro is approximately 1.82 m, so the "eight-hiro-palace" would have been 14.56 m). Izanagi and Izanami circled the pillar in opposite directions and, when they met on the other side, Izanami spoke first in greeting. Izanagi did not think that this was proper, but they mated anyhow. They had two children, Hiruko ("leech-child"), who later came to be known in Shintoism as the god Ebisu, and Awashima, but they were born deformed and were not considered deities.

They put the children into a boat and set them out to sea, then petitioned the other gods for an answer as to what they did wrong. They were told that the male deity should have spoken first in greeting during the marriage ceremony. So Izanagi and Izanami went around the pillar again, this time Izanagi speaking first when they met, and their marriage was finally successful.


Izanagi (イザナギ) or Izanaki (イザナキ) is a creator deity (kami) in Japanese mythology. He and his sister-wife Izanamiare the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo.
His name is given in the Kojiki (ca. 712 CE) both as Izanagi-no-Kami (伊邪那岐神) and Izanagi-no-Mikoto (伊邪那岐命), while the Nihon Shoki (720 CE) refers to him as Izanagi-no-Mikoto, with the name written in different characters (伊弉諾尊).

The names Izanagi (Izanaki) and Izanami are often interpreted as being derived from the verb izanau (historical orthography izanafu) 'to invite', with -ki / -gi and -mi being taken as masculine and feminine suffixes, respectively. Shiratori Kurakichi proposed an alternative theory which instead sees the root iza- (or rather isa-) to be derived from isao(historical orthography: isawo) meaning 'achievement' or 'merit’.


Kojiki (古事記, "Records of Ancient Matters" or "An Account of Ancient Matters"), also sometimes read as Furukotofumi, is an early Japanese chronicle of myths, legends, songs, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the kami (神), and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the Kojiki as well as the Nihon Shoki (日本書紀) are part of the inspiration behind many practices. Later, the myths were re-appropriated for Shinto practices such as the misogi purification ritual.

Source: Wikipedia
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Izanami & Izanagi Drawing

Philip Leister

Drawing, Paint Pen on Canvas

Size: 24 W x 18 H x 0.2 D in

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In Japanese mythology, Izanami no mikoto (伊弉冉尊/伊邪那美命, meaning "she who invites”) is a goddessof both creation and death, as well as the former wife of the god Izanagi-no-mikoto. She is also referred to as Izanami no kami. The first gods Kunitokotachi and Amenominakanushi summoned two divine beings into existence, the male Izanagi and the female Izanami, and charged them with creating the first land. To help them do this, Izanagi and Izanami were given a spear decorated with jewels, named Amenonuhoko (heavenly spear). The two deities then went to the bridge between heaven and earth, Ame-no-ukihashi ("floating bridge of heaven"), and churned the sea below with the spear. When drops of salty water fell from the spear, Onogoroshima was created. They descended from the bridge of heaven and made their home on the island. Eventually they wished to be mated, so they built a pillar called Ame-no-mihashira ("pillar of heaven"; the mi- is an honorific prefix) and around it they built a palace called Yahiro-dono (one hiro is approximately 1.82 m, so the "eight-hiro-palace" would have been 14.56 m). Izanagi and Izanami circled the pillar in opposite directions and, when they met on the other side, Izanami spoke first in greeting. Izanagi did not think that this was proper, but they mated anyhow. They had two children, Hiruko ("leech-child"), who later came to be known in Shintoism as the god Ebisu, and Awashima, but they were born deformed and were not considered deities. They put the children into a boat and set them out to sea, then petitioned the other gods for an answer as to what they did wrong. They were told that the male deity should have spoken first in greeting during the marriage ceremony. So Izanagi and Izanami went around the pillar again, this time Izanagi speaking first when they met, and their marriage was finally successful. Izanagi (イザナギ) or Izanaki (イザナキ) is a creator deity (kami) in Japanese mythology. He and his sister-wife Izanamiare the last of the seven generations of primordial deities that manifested after the formation of heaven and earth. Izanagi and Izanami are held to be the creators of the Japanese archipelago and the progenitors of many deities, which include the sun goddess Amaterasu, the moon deity Tsukuyomi and the storm god Susanoo. His name is given in the Kojiki (ca. 712 CE) both as Izanagi-no-Kami (伊邪那岐神) and Izanagi-no-Mikoto (伊邪那岐命), while the Nihon Shoki (720 CE) refers to him as Izanagi-no-Mikoto, with the name written in different characters (伊弉諾尊). The names Izanagi (Izanaki) and Izanami are often interpreted as being derived from the verb izanau (historical orthography izanafu) 'to invite', with -ki / -gi and -mi being taken as masculine and feminine suffixes, respectively. Shiratori Kurakichi proposed an alternative theory which instead sees the root iza- (or rather isa-) to be derived from isao(historical orthography: isawo) meaning 'achievement' or 'merit’. Kojiki (古事記, "Records of Ancient Matters" or "An Account of Ancient Matters"), also sometimes read as Furukotofumi, is an early Japanese chronicle of myths, legends, songs, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the kami (神), and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the Kojiki as well as the Nihon Shoki (日本書紀) are part of the inspiration behind many practices. Later, the myths were re-appropriated for Shinto practices such as the misogi purification ritual. Source: Wikipedia

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Drawing:Paint Pen on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 18 H x 0.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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