Kalu II Drawing

The richness of a drawing is expanded when the surface on which it exists features a variety of contrasts. In this case, white plaster with streaks of natural pigments is used to establish a topography rich in variations. These surface irregularities become evident when the charcoal is used to draw over them in the style of a chiaroscuro that accentuates the contrast between illuminated and dark areas of the drawing, as well as the contrast between higher and lower areas of the support. Plaster also features a unique characteristic as it made up of two moments in its existence: one liquid phase and another solid phase. In this case, this feature is used with a distinctly Buddhist intention to create a suitable support-object for one's own faith. In its liquid phase, the plaster mixture is made with purified water, incense, sand from mandalas, and other auspicious substances. Then, in its solid phase, the plaster is carved with mantra inscriptions, and gemstones or semi-precious stones are embedded in it.