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LE CHAMP DE BATAILLE Drawing

Alireza Shojaian

France

Drawing, Pencil on Paper

Size: 35.4 W x 70.9 H x 0 D in

This artwork is not for sale.
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About The Artwork

Our childhood In Iran was politicized, a day wouldn’t start in the schools without shouting death to America, Israel, England, Mojahedin, and Saddam (ex-president of Iraq) and in some events burning their flags or stepping on it. Today, after more than two decades, we are grownups but, the same patriarchal rules forbid Iranian athletes to face Israelis in the Olympic games. Iranian authorities ordered Saeed Mollaei Iranian Judoka 2018 world champion, to intentionally lose in the semi-final at the Tokyo 2019 World Championships, to avoid a potential match in the finals against Israeli 2019 world champion Sagi Muki. Saeed was afraid to return to Iran after exposing and criticizing its pressure on him to deliberately lose in the World Championships. In August 2019 he moved to Europe with a two-year visa from Germany, and in December 2019 he became a citizen of Mongolia. Drawing Yoni (the model), coming from Tel-Aviv and portraying him wearing the traditional Iranian sports outfit, is the prayer of a painter for a day that no one examines the rule of truth within politics and the manipulation of an Ideology.

Details & Dimensions

Drawing:Pencil on Paper

Original:One-of-a-kind Artwork

Size:35.4 W x 70.9 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Alireza Shojaian is an Iranian artist, born 1988, Tehran, Iran, based in Paris, France. As an artist, he is trying to challenge societies and make space for non-heteronormative masculine identities. Reflecting on the queer history of the Middle East, the present context, and his own experiences. Shojain finished his bachelor studies in fine arts, painting at Islamic Azad University, Tehran central branch in 2014 and he persuades a master's degree in the same university between 2014-2016 but he couldn’t obtain his master degree because of the subject of his thesis and final project which was Queer art. Throughout his fine art studies encouraged by his university professor, Shojaian began to explore his queer art practice, pursue queer themes and narratives, and confront something which he had intentionally avoided but now found comfort in. Shojaian’s work was hidden away for the entirety of his studies while the work of his peers hung unashamed in the corridors and galleries of the Iranian capital. Shojaian knew he could not continue his work in Iran, where his first series on queer art remained un-exhibited. With the movement to the US or Europe limited by sanctions, Shojaian looked closer to home for freedom and saw Lebanon as the most enabling opportunity in the region for him to continue developing his work and identity. in 2016 Shojaian moved to Beirut and he built his career with holding two solo exhibitions in 2017 and 2018. In 2019 French embassy in Lebanon, gave Shojaian the opportunity to join an art project in one of the foundations of Académie des beaux-arts and he moved to Paris, France.

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