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Sometimes I take the window view of my place, a sheet of paper and my painting gear and start creating as an end in itself. Sometimes it's like painting nothing at all—calming as the resulting work presented here.

The work is done on slightly yellowing paper from my roots in East Germany. It comes with a passe-partout imperfectly cut by the author himself. For best effects I recommend glass-covered presentation.
Sometimes I take the window view of my place, a sheet of paper and my painting gear and start creating as an end in itself. Sometimes it's like painting nothing at all—calming as the resulting work presented here.

The work is done on slightly yellowing paper from my roots in East Germany. It comes with a passe-partout imperfectly cut by the author himself. For best effects I recommend glass-covered presentation.
Sometimes I take the window view of my place, a sheet of paper and my painting gear and start creating as an end in itself. Sometimes it's like painting nothing at all—calming as the resulting work presented here.

The work is done on slightly yellowing paper from my roots in East Germany. It comes with a passe-partout imperfectly cut by the author himself. For best effects I recommend glass-covered presentation.
Sometimes I take the window view of my place, a sheet of paper and my painting gear and start creating as an end in itself. Sometimes it's like painting nothing at all—calming as the resulting work presented here.

The work is done on slightly yellowing paper from my roots in East Germany. It comes with a passe-partout imperfectly cut by the author himself. For best effects I recommend glass-covered presentation.
Sometimes I take the window view of my place, a sheet of paper and my painting gear and start creating as an end in itself. Sometimes it's like painting nothing at all—calming as the resulting work presented here.

The work is done on slightly yellowing paper from my roots in East Germany. It comes with a passe-partout imperfectly cut by the author himself. For best effects I recommend glass-covered presentation.
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69

VIEW IN MY ROOM

Lido from my Windowsill Drawing

Christian Kabuß

Germany

Drawing, Chalk on Paper

Size: 21.3 W x 29.1 H x 0 D in

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344 Views
69

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About The Artwork

The featured work is done on slightly and elegantly yellowing paper, a find from an abandoned East German graphic workshop. It is from a series that marks the beginning of my career: In 1999 I spent spring and early summer on Venice Lido., taking a morning boat to San Marco to explore the city, to Guardini to help artists getting ready for the 48th Venice Biennale, or to Accademia – to become an artistic draftsman. But when times got sweetly gloomy, with fine gray clouds like a ceilink above and all winds still, I stayed in, took in the window view of my place, and let it flow to a sheet of paper. Sometimes it's like painting nothing at all, and end in itself—calming as the resulting work presented here. Completing the arts by adding the self. It is a private work, so maybe a private room is a nice place for hanging. Or, on the other hand, it could add a private note to a space. Dear Collector! Expect an old, arcane work, slightly yellowing, almost like a find from the attic. From a young artist’s ad-lib exhibition a thin rim of masking-tape remained at the verso. It could be removed professionally, but on the other hand adds to the story the work tells.

Details & Dimensions

Drawing:Chalk on Paper

Original:One-of-a-kind Artwork

Size:21.3 W x 29.1 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Christian Kabuß is an internationally established German artist and musician. He studied Medicine at the University of Rostock, then went on to Kunsthochschule Berlin-Weißensee, Accademia di Belle Arti di Venezia and Moholy-Nagy University of Arts and Design Budapest to practice Fine Art. The artistic language within his paintings is deeply linked to a phenomenological approach to bodiliness, the freedom of subconscious artistic creation, and the theoretical and practical considerations of Design. Kabuß has exhibited in Germany and abroad. His works are present in regional, national and international collections. It is his aim to work as honest as possible, and he tends towards imagery, which is embedded in Lebenswelt, and sound. As a pianist, he performs small intimate concerts. His music is soft, sometimes freely improvised and portrays a sense of a parallel-world. Exhibitions in Italy, Sweden, Germany, China, and Japan.

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