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"Light Blue Impulse" Drawing

→ Lali Torma, Canada

Drawing, Ink on Paper

27.6 W x 39.4 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,480

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


100x70cm drawing of resistant to erasing and waterproof calligraphy ink made with a calligraphic pen. It comes unframed and rolled in a tube. Signed on the back.

Year Created:

2022

Subject:

Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

27.6 W x 39.4 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

Need more information?

Contact us.

Need more information?

Contact us.
Lali Torma

About the Artist

Lali Torma

Canada

Artistic currents: calligraphic abstraction, abstract expressionism, minimalism, optical art, Zen art

Influences: Yayoi Kusama, Eva Hesse, Agnes Martin, Sol le Witt , Gerhard Richter, Jason Pollock, Mark Rothko, Jean-Paul Riopelle

Calligraphic Drawings

Patterns and moving surfaces are my essential visual elements, naturally reflected in my work. Nature offers the most non-invasive, original, and beautiful patterns. By absorbing these freely, I connect deeply with my subconscious. My drawings capture inner states through abstract patterns, resembling membranes or surfaces in continuous movement.

I begin each piece by choosing a monochromatic color, reflecting my current inner state. As I experiment with colors, I gain a deeper understanding of subtle emotions. Building free structures from initial lines, I let them interact and form surfaces that reveal my emotional state—sometimes smooth, other times intense.

Using a large nib calligraphic pen, I work in a meditative state, where repetitive movements foster a spontaneous flow. The best results emerge when I vanish into the process, leaving only the emotional state—a truth that connects me to nature.

Recognition:

  • Featured in the Catalog

  • Artist featured in a collection

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