VIEW IN MY ROOM
South Africa
Drawing, Charcoal on Paper
Size: 27.6 W x 39.4 H x 0.2 D in
Ships in a Tube
I have received feedback on this art piece, each valid and each vastly different from the next. These reflections have ranged from the socio-political (keeping South-Africa’s complex clime in mind) to the spiritual to the psychological. All of these aspects were part of the intent when creating this work. What I can add, without burdening the viewer’s experience, is that I had a great deal of fun. The positioning of the fingers, the flick of the wrists and the strong areas of flat surface versus finely detailed bits kept me, literally, as focused as any juggler. There is a small piece of one of William Kentridge’s works copied into this artwork, as a good luck charm and a reminder to keep myself to the highest standards. The charcoal, water-colour and ink and pastel drawing/painting is executed on 100% cotton blend fabriano paper. The texture of the paper is dimpled to allow the wetness of water to settle smoothly and gives the charcoal lines added texture. Derwent charcoal and Winton&Newton water-colour paint and ink was used to ensure the richest tones and highest quality work. A layer of UV-protective fixative was sprayed as a final step to seal the charcoal and pastel to the paper. This piece is best enjoyed with a cup of filter coffee in hand as well as with a cigar with rich undertones. The work is unframed and has no hanging hardware.
Drawing:Charcoal on Paper
Original:One-of-a-kind Artwork
Size:27.6 W x 39.4 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Africa.
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South Africa
I use painting and drawing as tools for telling stories, and I use my story-like images to find a way to create a connection between the viewer’s own inner narratives and to the current environmental issues that are looming over our very existence. It is my stance that humans share a universal language of wonder, humour and curiosity. By allowing myself to engage with this part of myself when I play with art materials, I reach for the wonder in other people. My work becomes a type of spiritual activism in that it draws on attitudes that connects us at our core, rather than focusing on cerebral narratives of power and elitism. I use vestiges of already-existing mythology to allow the familiar stories to guide the more unfamiliar ideas closer into the viewer’s frame of acceptance and embrace. My aim as an artist is to absolutely insist on the relationship we have with nature as alive and I argue for the symbiotic necessity of relationships between non-human and non-human. My artwork is a testament to my clumsy inward fumbling of getting to know my humanness as much part of nature as what any other creature is. With each of my artworks sold, a donation from the selling price is made to an environmental cause, such as Friends Of Free Wildlife http://www.friendsoffreewildlife.co.za/
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