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Old Church Drawing

Alice Tournikioti

Greece

Drawing, Charcoal on Paper

Size: 27.6 W x 39.4 H x 0 D in

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About The Artwork

The “Old church” is a familiar scene to those who are acquainted with Greek culture. At first glance, the traditional architectural style and the immediate recognition of the religious nature of the building have a ‘relaxing’ impact on the viewer. A more careful examination of the church though overthrows this sense of ‘security’: the two high domes on either side of the smaller one in the middle are basically supported by foliage, threatening with collapse at any moment.

Details & Dimensions

Drawing:Charcoal on Paper

Original:One-of-a-kind Artwork

Size:27.6 W x 39.4 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Alice Tournikioti has presented her works in Greece (Athens, Mykonos, Santorini, Zakynthos, Nafplio, Kalamata, Thessaloniki, Hydra), Europe (Geneva, Cyprus, Madrid, Berlin, Florence, Rome), Turkey (Istanbul), Asia (Tokyo) and America (New York). Her works are also in the collections of the National Bank, the Bank of Greece, Alpha Bank, Commercial Bank, Eurobank as well as the Vorre Museum and the National Gallery in Rhodes, and also in many private collections. The viewer studies and penetrates the realities that the painter shows, as her subjects are distinguished by a deep nostalgia and a sensual exoticism, while at the same time they dispose of sincerity and the appearance of truth, without ever focusing of the specific. Alice paints with deep sincerity and creative liberty, depicting figures and their environment through what feels like automatic writing. She draws in paint and colors with drawing, at the moment when space gives birth to the figures and these determine its self signifiers. Her unforced brush strokes, full of light and colour, power and sensitivity, boldness and imposition, liquidity and speed, thickness and in other places transparency, transers us to a blooming climate, there where everything is over and beginning again, on the slopes of frgetfulness and in the expanses of gazing. Alice’s figures, at times solitary and others surrounded, convey the loving relationship, the reconciliation of contrasts and comradeship. They also convey their optimism and desire for life, to us, through an “nnocence” of her look, outflanking the dead ends with revolutions.

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