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Pulp Fiction - Limited Edition Print no 35 of 50 Drawing
Lebanon
Drawing, Ink on Paper
Size: 21.6 W x 13.8 H x 0.1 D in
Ships in a Tube
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About The Artwork
Limited edition giclee print 16 out of 50, printed on high quality paper, signed and sent directly from the artist.. The distinctive image of Vincent Vega and Jules Winnfield from the cult classic, Pulp Fiction, is depicted using only the shapes and characters of Arabic Calligraphy in the Diwani Jali script. The text composing the image is the famous quote that Samuel L. Jackson's character recites before he and Vincent Vega break into the apartment with guns ready, as read below: The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men, and I will strike down upon them with great vengeance and furious anger those who would attempt to poison and destroy my brothers, and you will know my name is the lord when I lay my vengeance upon you. Ezekiel 25:17 The entire text is written within the image, however, certain words are repeated more often than others, for aesthetic value and shape. Note: The number on the certificate may vary
Details & Dimensions
Drawing:Ink on Paper
Original:One-of-a-kind Artwork
Size:21.6 W x 13.8 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Lebanon.
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Lebanon
Born 1988 in Nashville, Tennessee Currently working from my atelier in Beirut, Lebanon since 2011, I continue to pursue my education and understanding of Islamic Art and calligraphy. Working in the Diwani, Diwani Jali and square Kufic scripts, I use the words to create illustrations ranging from portraits to geometric abstract constructions. The work celebrates Middle Eastern and Islamic culture in addition to focusing on human rights in the post colonial era, with an emphasis on American and western foreign policy. With few calligraphers who use their words to illustrate rather than write, my greatest inspiration comes from Jila Peacock, and Hassan Musa. My aim is to eventually achieve the flawless legibility of Peacock's work while also grasping the visual accuracy with which Hassan Musa illegibly creates his animals and figures, using shapes and strokes inspired by calligraphy. As nearly all of the original work has been sold. I'm primarily selling limited edition facsimile giclee prints, on Saatchi, particularly only those in which at least half of the edition has already been sold.
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