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Horses ride in Sanlúcar de Barrameda, Cádiz Spain is one of the most important international horses ride in the world.
  The time that I try to capture is the moment when horses arrive at the end.
  Realistic drawing with more than 20 hours work.
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Ride horses. Sanlúcar de Barrameda Drawing

Jessica GONPRA

Spain

Drawing, Graphite on Paper

Size: 8.3 W x 7.5 H x 0.8 D in

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$320

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About The Artwork

Horses ride in Sanlúcar de Barrameda, Cádiz Spain is one of the most important international horses ride in the world. The time that I try to capture is the moment when horses arrive at the end. Realistic drawing with more than 20 hours work.

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:8.3 W x 7.5 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Jessica Gonpra (1988, Barcelona) currently living in Valencia. He completed his Master of Art (faculty medal), as well as his Bachelor of Fine Arts at the Sevilla University. Working countless times as a painting and drawing teacher it stands out for its prompt progress; making his first exhibitions in the second year of his career on the day of today counting with more than fifty collective exhibitions; highlighting several fairs in London and France among them; as well as fourteen awards between prizes and honorable mentions. His painting is characterized by his denunciation, as well as introspection, always emphasizing the color and the search for nuances, as well as matter. Representing face in different collections human and concrete feelings "to the cousin". Given his academic training, as well as his prompt commissions for portraits at the age of fifteen; departed from a base with a great desire to develop its painting without limiting the materials for it, making most of his works with wall spatulas. What has evolved in the search for small nuance of color, the theory of color, the psychology of color, the pictorial trace, then towards the need for depth and a return to the gesture of the brush interspersing it in his works.

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