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This work is part of an early series of studies of bodies at rest and in motion, which led to my later interest in dance.  These works explore ways that bodies occupy architectural space.  In this particular work the woman is tied to space and becomes part of it.  She is at the center of a spiderweb.  Her wrapping extends into all direction.  She is still but in tension.

Charcoal on newsprint
This work is part of an early series of studies of bodies at rest and in motion, which led to my later interest in dance.  These works explore ways that bodies occupy architectural space.  In this particular work the woman is tied to space and becomes part of it.  She is at the center of a spiderweb.  Her wrapping extends into all direction.  She is still but in tension.

Charcoal on newsprint
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VIEW IN MY ROOM

Sketch of a woman in space Drawing

I oN

Drawing, Charcoal on Paper

Size: 18 W x 24 H x 0.1 D in

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About The Artwork

This work is part of an early series of studies of bodies at rest and in motion, which led to my later interest in dance. These works explore ways that bodies occupy architectural space. In this particular work the woman is tied to space and becomes part of it. She is at the center of a spiderweb. Her wrapping extends into all direction. She is still but in tension. Charcoal on newsprint

Details & Dimensions

Drawing:Charcoal on Paper

Original:One-of-a-kind Artwork

Size:18 W x 24 H x 0.1 D in

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I am a practicing architect, and now looking back at some of the earlier studies that shaped my understanding of space, the movement of bodies in space, and my later interest in contemporary dance. I was born in Moscow and came to Canada when I was ten. I think I saw the world from a different side which made me more attentive to it. I enjoyed drawing and working as a theatre make-up artist - drawing directly on the body and transforming it. Twenty years later, I moved again, this time to London, England. I continued working in architecture and in parallel discovered the beauty of dance as a medium of composing form and capturing the fragility of the body. Another ten years later I moved again to Canada. I have always felt that time moves along an expanding spiral.

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