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"The King — Kingfisher | Graphite & Charcoal Drawing" Drawing

→ Ravone Arts, India

Drawing, Charcoal on Paper

11.7 W x 16.5 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$530

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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`The King` is a graphite and charcoal study of a kingfisher, created from a fascination with the quiet intensity of the bird's presence. I wanted to capture more than its intricate form and distinctive features. The drawing focuses on the contrast between the delicate structure of the bird and the ...

Year Created:

2025

Subject:

Styles:

Mediums:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

11.7 W x 16.5 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

India.

Customs:

Shipments from India may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Ravone Arts

About the Artist

Ravone Arts

India

I’m Ravone, a self-taught artist working primarily in graphite and charcoal.

My work moves between precision and expression — graphite allows me to study form, light and detail, while charcoal gives me the freedom to work with deeper shadows, texture and expressive marks. Through portraiture and figurative work, I’m interested in presence, emotion, and the space beneath what we see on the surface.

I began drawing from a young age, initially drawn to the challenge of observing people and translating what I saw onto paper. Over time, drawing became more than an exercise in accuracy. I became increasingly interested in what could be expressed through contrast, imperfections, negative space and the marks themselves.

My work doesn't aim for photographic perfection. I prefer a balance between observation and spontaneity — allowing controlled detail to coexist with looser, more expressive passages.

Although my background also includes photography, design and technology, drawing remains the foundation of my creative practice.

I work primarily with graphite and charcoal on archival-quality papers and panels, creating original works intended to be experienced as physical pieces rather than simply images on a screen.

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