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"Turnstile Form No. 1" Drawing

→ Chris Engel, United States

Drawing, Ink on Paper

4.6 W x 6 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

$260

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ABOUT THE ARTWORK

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An ink drawing on commercial magazine paper, a series which represents the origins the series of paintings loosely based on the form of the "turnstile" gates in the New York City subway system. The series includes paintings, bronzes, etchings and ink drawings all executed around the late eighties to...

Year Created:

1986

Subject:

Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

4.6 W x 6 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Chris Engel

About the Artist

Chris Engel

United States

Christopher Engel’s work vibrates with the energy of bold, gestural lines that intersect at points between the foreground and background. These fields are bridged together in a web of kinetic, interconnecting lines which create a remarkable sense of three-dimensionality. The close examination of space, or how we create it and replenish a void, is a study that Engel has pursued since he started as a landscape painter in the early 70s. Engel was deeply affected by the relationship between the elements of the landscape; trees, shrubs, bushes and elements on the periphery. Everything worked to define the space that contained and moved him. Engel currently works out of his studio in near Rochester, NY. He continues to honor the influence of the natural landscape and remain enamored by the impact of color. With several canvases standing over four feet tall, the surfaces are rich in a sophisticated palette of earth tones; greens, browns, blacks, blues and occasional use of bright red and orange allude to an aesthetic that straddles both landscape and abstraction. Yet despite representational titles such as Canyon, Ice Storm and Clear Skies, Engel’s vision immerses the viewer in suggestions of horizon lines or tree branches rather than orienting them directly toward a conventional depiction. Tensions of push and pull are achieved with both opacity and transparency, as well as the natural flow of the medium. Ultimately, the point of departure is radically transformed and the result is nothing short of powerful. The space around us to him is the defining characteristic that makes us aware and allows us to function in our environment. Creating this feeling of space in his abstract work with color, texture, line, scale, scraping, dripping etc. is what satisfies his aesthetic needs.

Recognition:

  • Artist featured in a collection

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