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Split-view image of "Water Lily during photo shoot and closer look at "Water Lily" hanging on wall.
Close-up view of "Water Lily showing detail.
Alternate view: close-up of "Water Lily showing detail.
Alternate: Close-up view of "Water Lily" showing detail.
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Water Lily Drawing

Jay Worth Allen

United States

Drawing, Pastel on Paper

Size: 30.3 W x 22.3 H x 0.1 D in

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$8,000

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About The Artwork

“Water Lily,” 2010 [from the series ca. 2000-present]. Pastel on Winsor & Newton watercolor paper (pastel drawing) 22.25" H x 30.00" W (56.515x 76.20 cm) ”Water Lily" is another breathtaking piece in an ongoing series of eloquent works in which Jay Worth Allen celebrates life through the exploration of various aspects of womanhood: her plights, joys, beauty, and timeless inspiration to any and all who encounter her. The interaction of water and the female nude is the medium with which the artist uses in this work to articulate a private moment of complete serenity. As with so many of Jay Worth Allen’s works, complex harmonies within contrasting components play a major role in the composition and message of “Water Lily” — Black and white pastels complement deep burgundies, reds and even oranges with hints of fuchsia have been masterfully executed on white watercolor paper, giving us a female nude, again, in exquisite repose — as seen in the artist’s “Moondance” series. However, here, in “Water Lily,” the figure is reclined, completely submerged, on her back, eyes closed in perfect peace, and a full-figured reflection of the woman encompassed with water is reflecting on the surface above. To delve a bit deeper into the underlying theme propelling this moving series — the Celebration of Life Through Woman, which is a favorite of this profound artist: Some critics have described this recurring theme in others’ works, as the freedom of womanhood laid bare. Yes, while we have seen this particular “freedom” in the works of past masters, such as Renoir, Rubens, and even Fragonard in which any reference to socio-economic status has been removed (rendering the subject “bare”), there is a marked departure from their women in Jay Worth Allen’s works. For him, the Celebration of Womanhood equals Beauty and Vulnerability, and, Strength, the resulting inherent synergistic combination of the two former attributes. Jay Worth Allen is passionate. And as the artist, every facet of his work is imbued with that passion, which includes the materials he uses to create his art. “Water Lily,” is created on high quality watercolor paper (as are all of his works on paper), instead of pastel, Ingres or other lighter papers usually found as a base for pastel works. Why? “The answer is simple.” —In his own words: “The reason I use watercolor [paper] for my drawings and pastels is because they are heavier, thicker, and stronger than other paper . . . that way, I can draw on the whole piece . . . including all the way past the edges!” “Water Lily” has, as have the other works in this series, been deemed an “extremely important work” by collectors and critics alike — having been shown in several U.S. museums and galleries, as well as private showings. To learn more about this work, the series, and this magnificent artist’s inspiration, please see the following works presently being offered here at Saatchi Art: The Wedding Bed — [https://www.saatchiart.com/art/Painting-The-Wedding-Bed/733729/2265931/view]; After The Moment — [https://www.saatchiart.com/art/Painting-After-The-Moment/733729/2264801/view]; and Diana Sleeping — [https://www.saatchiart.com/art/Painting-Diana-Sleeping/733729/2265938/view]. —————— Additional works in this ongoing series will be offered here as well; please visit Jay Worth Allen's profile for more information, and to view other works currently being offered through Saatchi Art. We appreciate and encourage any comments. Thank you. A quick note on framing & mounting: For the best display of "Water Lily," the work should be mounted by floating — to ensure every touch of the artist's hand is experienced. Regarding shipping, this work is from the artists' private collection and has previously been mounted. However, the work will ship flat (unframed), in accordance with Saatchi Art's shipping policies.

Details & Dimensions

Drawing:Pastel on Paper

Original:One-of-a-kind Artwork

Size:30.3 W x 22.3 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

— Artist Statement — I was born. When I was about 6, I started drawing. Later, I started painting. That's still what I'm doing. What I know, I put into my work. I am interested in visible or tangible things that ARE, rather than Opinion. In my work, there are pre-formed, conventional, depersonalized, factual elements — impartial objects. I am concerned with the wholeness of a thing remaining within the boundaries of knowledge. It is within this boundary that I strive to conceal and reveal known objects at the same time. We have an existing language of words, signs, symbols, shapes, formulas, treatises, poems and the like — whole bodies of belief and knowledge that can, presumably, describe and penetrate anything and everything. Yet, I am forced to recognize that the system which enables me to form a piece of art and to think coherently cannot define how I uniquely think or feel, or even how I picture myself and everything outside myself. The plane of my work has always been real things — REAL MOMENTS RESTING IN TIME, where the ideational and perceptual worlds intersect to form image, idea, icon, and space, and — where I, and therefore the viewer, is projected through to another reality. Technique is inextricably tied to the content of my work. By working in all mediums, I work with numerous techniques. As a painter, acrylic is my medium of choice. My 3D & sculptural materials range from chicken wire to wood to concrete blocks to whatever material I find in my field of sight. The methods I use in printmaking (woodblock, silkscreen, blueprints, lithographs) all combine multiple processes. For me there is no hierarchy among these mediums and techniques; yet, drawing is the foundation for all my work. It’s is the way I speak the best, the clearest. — Brief Bio — On March 6 (the anniversary of Michelangelo’s birthday), J. Worth Allen (“Jay”) was born in Daylight, Tennessee. He grew up in Austin. Studied in Memphis, London, Oxford, New York, Los Angeles—. Has exhibited in New York, Texas, California, London, Edinburgh, France, and beyond. At 16, he was accepted into the top 3 art schools in the nation, each, with full scholarships: Pratt Institute/Fine Art, The Art Institute of Chicago and The Art Academy in Memphis, which won out (via a cartographical nudge from his dad).

Artist Recognition

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