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The style and the contrast color of the image is inspired by the real situation, the passionate and concentrated game of two men and two observers. The contrast lights of two lanterns in the middle of the summer night pulls out figures of Georgians from the darkness, emphasizing their focus on the green cloth of the billiard table. The game magically gathers these figures just like they are characters of Georges de La Tour's pictures, tearing the plot out of a specific time.
The style and the contrast color of the image is inspired by the real situation, the passionate and concentrated game of two men and two observers. The contrast lights of two lanterns in the middle of the summer night pulls out figures of Georgians from the darkness, emphasizing their focus on the green cloth of the billiard table. The game magically gathers these figures just like they are characters of Georges de La Tour's pictures, tearing the plot out of a specific time.
The style and the contrast color of the image is inspired by the real situation, the passionate and concentrated game of two men and two observers. The contrast lights of two lanterns in the middle of the summer night pulls out figures of Georgians from the darkness, emphasizing their focus on the green cloth of the billiard table. The game magically gathers these figures just like they are characters of Georges de La Tour's pictures, tearing the plot out of a specific time.
The style and the contrast color of the image is inspired by the real situation, the passionate and concentrated game of two men and two observers. The contrast lights of two lanterns in the middle of the summer night pulls out figures of Georgians from the darkness, emphasizing their focus on the green cloth of the billiard table. The game magically gathers these figures just like they are characters of Georges de La Tour's pictures, tearing the plot out of a specific time.
The style and the contrast color of the image is inspired by the real situation, the passionate and concentrated game of two men and two observers. The contrast lights of two lanterns in the middle of the summer night pulls out figures of Georgians from the darkness, emphasizing their focus on the green cloth of the billiard table. The game magically gathers these figures just like they are characters of Georges de La Tour's pictures, tearing the plot out of a specific time.
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VIEW IN MY ROOM

Night Billiard Players in Batumi Drawing

Inga Levi

Ukraine

Drawing, Pastel on Paper

Size: 19.6 W x 16.5 H x 0 D in

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SOLD
Originally listed for $520
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About The Artwork

The style and the contrast color of the image is inspired by the real situation, the passionate and concentrated game of two men and two observers. The contrast lights of two lanterns in the middle of the summer night pulls out figures of Georgians from the darkness, emphasizing their focus on the green cloth of the billiard table. The game magically gathers these figures just like they are characters of Georges de La Tour's pictures, tearing the plot out of a specific time.

Details & Dimensions

Drawing:Pastel on Paper

Original:One-of-a-kind Artwork

Size:19.6 W x 16.5 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born and still based in Kyiv, Ukraine. Work with graphics and painting, in the 2000s became interested in urban space, architecture and monumental art, which was reflected in artistic practice as a work with urban landscape. In 2018-2021, I was a curator of mosaic works during the renovation of monumental mosaics of the 1960s. Since 2015 — a member of the group for the preservation of the photo archive of the Ukrainian Hutsul artist Paraska Plytka-Horytsvit. In 2018-2019 — mosaicist and a representative of the author V. Melnichenko on the artistic part of the restoration of the fountain at the Kyiv Palace of Children and Youth "Stars and Constellations" (1963-65, authored by A. Rybachuk and V. Melnychenko). In 2021 — curator of the restoration of Kyiv Central Bus Station mosaics (1960-61, also authored by A. Rybachuk and V. Melnychenko). Graduated Contemporary Art at Kyiv Academy of Media Arts in 2021. Fellow of the Gaude Polonia program, 2021

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