VIEW IN MY ROOM
Germany
Installation, Textile on Plastic
Size: 8.5 W x 18 H x 8 D in
Ships in a Crate
Black embroidery and lace, sequins and beads glorify the charm of a female. The gender not only is related to personal and social identity and the ways people live their lives, but also matters in distributing power, privilege and prestige. Gender roles systems and relations impact all aspects of human existence, including those ones which have to do with violence and its extreme form – terrorism.… The beauty and the existential sense of the women is to create and protect the human live. For anyone surprised that a woman would take such a role in the abject horror that a terrorist-style mass murder brings, understand that the presence of women in a terror group is neither a new phenomenon nor limited to any one type of group or role. There is no archetypal female terrorist; her description is varied from her physique to her role within the organization to her psychological make-up. Women take up terrorism either by their own initiative or through a secondary other, most often introduced into it by a male. The Fear's brides aims a dialogue with ideological grounds in cultures where women are oppressed and considered to be less worth and the terrorism is the only perspective.
Original Created:2016
Subjects:Political
Materials:Plastic
Styles:ConceptualFine Art
Mediums:TextileFound ObjectsMetal
Installation:Textile on Plastic
Original:One-of-a-kind Artwork
Size:8.5 W x 18 H x 8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Zara Alexandrova poses sincere questions about what it means to be a woman in contemporary society through an ironic – sometimes - mocking prism which calls for a reconsideration of the role and phenomenology of femininity and female sexuality in a world dominated by symbols and images that strive to define it in their own strict terms. With works drawing their inspirations from various sources (social media, childhood memories, classical art history ), the artist takes a critical position towards the politics of attraction and the female sensuality as the subject of mere voyeuristic desire.
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