VIEW IN MY ROOM
United States
Mixed Media, Digital on Paper
Size: 37 W x 50 H x 1 D in
Ships in a Crate
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
In choosing the iconic of American life, the obvious is avoided. There is no point in creating works based on icons which will carry through the next century and after, but better those that deserve to be remembered in the same way. Similarly, the treatment of the icon is not the obvious. There would be little point in doing so. Rather to create an art work which clearly refers to the American icon but is not a copy of it. In this instance, where Life magazine is concerned, so many covers produced over the years are instantly recognizable. Instead, I have chosen to use the first cover image of the original Life magazine before Luce bought it for its title. In addition, I have chosen to not show the white lettering on the red background which is so synonymous with the magazine, but have reversed the lettering colour and placed in black and white round the border of the 1883 cover. In part this is to complement the black and white of the original, but also to draw the viewer's attention and ask them to decode quite why the lettering is so familiar.
Mixed Media:Digital on Paper
Artist Produced Limited Edition of:1
Size:37 W x 50 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
It is possible, though not proven, that abilities of whatever nature, come from our genes, passed on by parents. In my case, my mother. My mother dripped art. Her sister, whom I never met, was a concert pianist though both brothers were engineers as was their father. My mother lived entirely in the arts world and I grew up in Edinburgh surrounded by artists of all nationalities. I remember visiting one, a painter. Long after my mother had left us, my two brothers and I visited an artist friend of hers. He was as poor as were we and he gave us bread slices covered in sugar. My father, an intellectual and self appointed scholar, had chosen not to work; defeated by the breakdown of his marriage. We went overnight from among the very wealthy in the city into genteel poverty since he had lost his job with the Royal Society of Edinburgh as a result of his withdrawal from the outside world. This was a peculiar upbringing. What it meant for me is that I could not do anything but choose a career which guaranteed security of employment and income throughout my life. A natural choice was engineering. I spent my life in this career for which I was quite unsuited and quite alien to me but I was good at it, I am tempted to say, very, very good, unfortunately. Now I have reached a point, with that career behind me, where I can pursue what I love and am good at. Well, better at. All those years, in every waken hour outside of the demands of the intensity which engineering requires, were spent pursing knowledge and practice of arts; art, literature, theatre and music. At college I hung around with the artists. My fellow engineering students seemed alien beings to me. I was fortunate indeed to grow up in Edinburgh and one could not wish for a fuller cultural environment. Since my mother was an artist, I was exposed early to the creation of art, both hers and that of her artist friends. Before coming to this country to join family, I lived in South Africa for a period of years, which has influenced me in ways that are not readily apparent in any of my art works. I think the profundity of influence is due to the particular light that fills the landscapes of that part of the world and the people. There is, too, a deeply felt sense of being connected to the world and to the soil upon which we stand and live. I suspect that the political situation of the time made me aware of power abused to subjugate others and to deny them their freedom.
Handpicked to show at The Other Art Fair presented by Saatchi Art in New York, London
Artist featured by Saatchi Art in a collection
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