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The flying carpet - Limited Edition of 10 Artwork

Tina Numberger

Germany

Mixed Media, Digital on Paper

Size: 16.5 W x 23.2 H x 0.1 D in

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$270

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About The Artwork

The cat glides gently into the picture on its flying carpet from the left. The space in which she moves seems strange and unreal to the viewer. The inside and the outside, even the elements of water and air seem to unite here on one plane. The cat in the foreground is depicted with realistic precision and stands out against the background, which becomes more blurred and abstract towards the back. A supposed space opens up, suggesting a mysterious play of lights in the distance. Even after a closer look, nothing can be discerned that could disturb the tranquillity. Nevertheless, an unpleasant feeling creeps over me... "I believe in the future resolution of these apparently so contradictory states of dream and reality in a kind of absolute reality, if one can say so: Surreality. After their conquest I aspire, sure of not attaining them, too unconcerned, however, with my death not to weigh at least the pleasures of such possession." André Breton

Details & Dimensions

Mixed Media:Digital on Paper

Artist Produced Limited Edition of:10

Size:16.5 W x 23.2 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

born in Ludwigshafen Rhine/Germany lives near Karlsruhe/Rhineland-Palatine/Germany My artistic theme is and has always been nature. It fascinates me as an artist by its originality, and also by its diversity. As for the artists of the Romantic period, the nature surrounding me stands for the all-embracing being, gives me comfort and strength. Already during my studies of art I was enthusiastic about the viniculture in my home country. I wanted to portray the strict geometry with which the vines traverse the landscape. This is how I came to the linoleum printing technique, which is still my preferred printing technique today. In search of motifs, I often roam for hours through the forests of my homeland, collecting impressions, structures and special features. Then I return to my studio "charged" with impressions and process and vary them. The development of my theme - whether it is a print or painting - is characterized by the question of the level of abstraction versus space-creating methods. How many perspective lines are necessary to communicate an impression of space? Where is it sufficient to have one in front and one behind the other? And where do I have to intervene creatively to guide the eye. Which elements must the representation contain, and which colour spectrum must I access in order to take the viewer to my emotional level? Since two years now I am more and more occupied with digital drawing and painting. I would like to invite you to go this way with me.

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