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Mixed Media, Paint on Canvas
Size: 19 W x 25 H x 1.5 D in
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Featured in the Catalog
Showed at the The Other Art Fair
Artist featured in a collection
WESTERN GOTHIC • A NEW SERIES PART 02 -- COMING NIGHT Exploring the interplay between affirmation and darkness in the American experience through a work by the great poet Linda McCarritson. With this second part of the series, I am also leaning into the concepts of cartomancy -- the meanings behind playing cards. Cards were such an iconic part of the western experience and I feel they act as a perfect metaphor for the optimism and shadow of this archetypal chapter of the book of America. RIDING OUT AT EVENING by Linda McCarriston At dusk, everything blurs and softens. From here out over the long valley, the fields and hills pull up the first slight sheets of evening, as, over the next hour, heavier, darker ones will follow. Quieted roads, predictable deer browsing in a neighbor’s field, another’s herd of heifers, the kitchen lights starting in many windows. On horseback I take it in, neither visitor nor intruder, but kin passing, closer and closer to night, its cold streams rising in the sugarbush and hollow. Half-aloud, I say to the horse, or myself, or whoever: let fire not come to this house, nor that barn, nor lightning strike the cattle. Let dogs not gain the gravid doe, let the lights of the rooms convey what they seem to. And who is to say it is useless or foolish to ride out in the falling light alone, wishing, or praying, for particular good to particular beings, on one small road in a huge world? The horse bears me along, like grace, making me better than what I am, and what I think or say or see is whole in these moments, is neither small nor broken. For up, out of the inscrutable earth, have come my body and the separate body of the mare: flawed and aching and wronged. Who then is better made to say be well, be glad, or who to long that we, as one, might course over the entire valley, over all valleys, as a bird in a great embrace of flight, who presses against her breast, in grief and tenderness, the whole weeping body of the world?
2023
Paint on Canvas
One-of-a-kind Artwork
19 W x 25 H x 1.5 D in
Other
Yes
Ships in a Box
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BIOGRAPHY I am most interested in exploring belief systems, the birth and death of the American Dream, the nature and validity of desire, as well as identity and loss on a personal level. Visually, my work lies at the intersection of the organic, the geometric, the iconic, the abstract, and the found. All of that takes shape into mostly large-scale assemblage pieces that hover in between mediums. I feel like my body of work can be encapsulated in three words :: abstraction, definition and deconstruction. I have had works appear in juried art shows across the US, shown with selected galleries, have shown in several cities with The Other Art Fair, had my work featured on the album art for multi-platinum-selling musical artist Andy Grammer, been chosen from over 100,000 artists to be featured in the Saatchi Art catalog, had my work published in multiple art magazines and publications, and was selected for inclusion in the London Art Biennale. STATEMENT I am a mixed media visual artist. The rhythmic, the esoteric, the mystic, the poetic, and the intuitive drive my work. All of those shape my aesthetic and give my pieces backbone. The breadth of the sublime, the mist of inner spaces, and the intrinsically American are also found on my canvases. My long background as both a writer and designer roots the abstract work in language, both conceptual and visual.
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