VIEW IN MY ROOM
United States
Mixed Media, Vector on Cardboard
Size: 18 W x 24 H x 0.1 D in
Ships in a Box
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
Some works are difficult to do. Not in terms of the technique or execution but in separating the emotional response to the topic or subject from the artistic. Injustices abound. including those from the past. Turkey, as the successor state, continues to deny that the Armenian Genocide took place, or to accept that it can rightly be referred to as Genocide. Various figures are given of the number of Armenians slaughtered in a deliberate act of extermination of the whole population by Turkey's predecessors, the Ottomans, and even what seem high estimates usually understate the case. Exterminations of peoples have occurred throughout history but in most no survivors live to feel the hurt and loss of their people and to tell the tale. In the case of Armenians, there are survivors, in Armenia and all over the world, of the estimated one and a half million who were slaughtered. Their feeling of injustice at Turkey's denial burdens them and will continue to do so until it is remedied. Political art surely is a difficult buy. To live with a painful image on the wall of the home cannot be easy. Within the wide range of subject matter produced by this artist there would be an impoverishment and a sense of incompleteness were political feeling not to be expressed. To create an image which reflects any atrocity borders on the impossible. These words delivered to a delegation at the scene of the crime by the perpetrator shock in their naked honesty. No denial is possible in the face of such admission.
Mixed Media:Vector on Cardboard
Artist Produced Limited Edition of:1
Size:18 W x 24 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
It is possible, though not proven, that abilities of whatever nature, come from our genes, passed on by parents. In my case, my mother. My mother dripped art. Her sister, whom I never met, was a concert pianist though both brothers were engineers as was their father. My mother lived entirely in the arts world and I grew up in Edinburgh surrounded by artists of all nationalities. I remember visiting one, a painter. Long after my mother had left us, my two brothers and I visited an artist friend of hers. He was as poor as were we and he gave us bread slices covered in sugar. My father, an intellectual and self appointed scholar, had chosen not to work; defeated by the breakdown of his marriage. We went overnight from among the very wealthy in the city into genteel poverty since he had lost his job with the Royal Society of Edinburgh as a result of his withdrawal from the outside world. This was a peculiar upbringing. What it meant for me is that I could not do anything but choose a career which guaranteed security of employment and income throughout my life. A natural choice was engineering. I spent my life in this career for which I was quite unsuited and quite alien to me but I was good at it, I am tempted to say, very, very good, unfortunately. Now I have reached a point, with that career behind me, where I can pursue what I love and am good at. Well, better at. All those years, in every waken hour outside of the demands of the intensity which engineering requires, were spent pursing knowledge and practice of arts; art, literature, theatre and music. At college I hung around with the artists. My fellow engineering students seemed alien beings to me. I was fortunate indeed to grow up in Edinburgh and one could not wish for a fuller cultural environment. Since my mother was an artist, I was exposed early to the creation of art, both hers and that of her artist friends. Before coming to this country to join family, I lived in South Africa for a period of years, which has influenced me in ways that are not readily apparent in any of my art works. I think the profundity of influence is due to the particular light that fills the landscapes of that part of the world and the people. There is, too, a deeply felt sense of being connected to the world and to the soil upon which we stand and live. I suspect that the political situation of the time made me aware of power abused to subjugate others and to deny them their freedom.
Handpicked to show at The Other Art Fair presented by Saatchi Art in New York, London
Artist featured by Saatchi Art in a collection
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