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Thwart the impulses - Limited Edition 1 of 10
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Thwart the impulses - Limited Edition 1 of 10 Artwork

JCT Li

Germany

New Media, Digital on Paper

Size: 24.8 W x 37.8 H x 0.1 D in

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About The Artwork

Limited Edition 1 of 10 + 1 AP signed and numbered on the back. Inkjet print on Hahnemühle Photo Rag® with 3 cm white border. HAVE A NICE DAY is a project by the artist JCT Li, which has been running since August 2010. It started out as a series of digital collages with random images of anonymous people from the Internet. The found images are processed with digital manipulations to such an extent that the characteristics become unrecognizable. This series can be perceived both as a form of digital recycling and as a satirical act in which our perception of aesthetics has been strongly influenced by the digitally altered images. In my newer and more abstract works, I aim to convey certain scenes to the viewer that trigger their own, vast imagination. The visual aspect of the work is engaging, almost physical. HAVE A NICE DAY has been published in several magazines and websites including The California Sunday Magazine (USA), GOOD Magazine (USA), Computer Arts Collection (USA), PAGE Magazine (DE), VIEWPOINT (UK), Neocha (CN), Style Biblio (UK), Capitel Magazine (MX), Glamcult (NL), Thisispaper (PL), The Jealous Curator, Nylon Magazine, Trendland, Art Fucks Me, FILE Magazine, etc. Website: http://dasplayhaus.tumblr.com/

Details & Dimensions

New Media Print:Digital on Paper

Artist Produced Limited Edition of:10

Size:24.8 W x 37.8 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Taiwan, JCT Li studied Interactive Media Design in Singapore and in 2008 she relocated to Germany where received her MFA in Public Art and New Artistic Strategies in 2010 at the Bauhaus University of Weimar, Germany. Since 2010, JCT Li has been engaged in her ongoing, ever evolving project Have a Nice Day, a series of digital photo collages she composes with photos of anonymous people sourced online. She then digitally warps the images until the features are unrecognizable, often barely registering as human forms. JCT considers this practice both a form of digital ‚recycling‘ and a comment on how our perceptions are so heavily influenced by photoshopped images.

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