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"012022-XL5-collage" Painting

→ Linda Coppens, Spain

Painting, Acrylic on Wood

21.3 W x 21.3 H in

Framed, Ready to Hang

$911

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

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Size: 50 x 50 x 0.5 cm / 54 x 54 x 3.5 cm framed Sides: white Mediums: Collage and acrylics on wooden panel Finish: varnished Signature: front and back, also signed Certificate of Authenticity Framed in a white box frame Abstract collage made with all kinds of personal jottings and memorabilia, som...

Year Created:

2022

Subject:

Mediums:

Painting, Acrylic on Wood

Rarity:

One-of-a-kind Artwork

Size:

21.3 W x 21.3 H x 1.4 D in

Ready to Hang:

Yes

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Linda Coppens

About the Artist

Linda Coppens

Spain

I am a Belgian abstract artist living and working in Spain.
I don't begin with an image in mind. I begin with a surface that offers possibilities rather than answers. Each painting develops through a series of decisions in which marks remain, disappear or return in unexpected ways. Instead of working towards a predetermined composition, I allow structure to emerge gradually through attention, revision and response to what is already there.
The most rewarding moment is when a painting begins to resist my intentions. From then on, every decision changes the possibilities for the next one, and I keep responding until the next step becomes inevitable.
My background in psychology continues to shape the way I think about perception. We rarely experience or remember the world as a complete picture; instead, we retain fragments, impressions and connections. That understanding influences my paintings, which unfold gradually rather than revealing themselves all at once.
My current body of work, Rhythms of the Unspoken, asks a simple question: how can structure emerge through the act of painting itself?
My work is held in private collections across Europe, Asia and the United States.

Recognition:

  • Artist featured in a collection

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