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作品说明:1,画作尺寸,厚度4cm;2,外框为实木L形,尺寸是画作尺寸长宽各加5cm,厚度5.5cm,颜色为木本色或依画面手工上色,颜色以第二张图中的为准,或可预定颜色;3,每幅作品,都附带有唯一的真迹保真证书一份;4,关于画作材质以及包装运输,我只选择最好的;5,附带有挂钩,钉子等,可以直接悬挂。
Works Description: 1, the size of the painting, thickness 4cm; 2, the outer frame is solid wood L-shaped, the size is the length and width of the painting plus 5cm, thickness 5.5cm, the color is woody or hand-colored according to the screen, the color in the second picture The prevailing, or can be scheduled to color; 3, each artwork, is accompanied by a unique copy of the original fidelity certificate; 4, on the painting material and packaging and transportation, I only choose the best; 5, with hooks, nails And so on, can be directly hung.


《〇·本元研究·秩序和法则的规律》系列作品自述
此系列之作,是在宇宙万物之间微妙的规律和相互对立性作用之下,对社会、人文、历史以及人类自身的秩序性和规则性的研究。
以所知宇宙之理而论,则唯有时间与空间永恒不息,互对互存。盖生命之有,亦在此番运动之中而生邪。观生命轮回,时代更迭,其迹或分散,或对立,或统一,或大同,莫不是周而复始,永不停歇。论及人类文明和人性之变,可道者万千,不变之说亦万千。若较之宇宙之变,又何其渺也,况吾生之一瞬,又何其渺然也!此中,不过多几点绚烂或几多黑暗也已,皆不过宇宙律吕之一环,终趋某点,亦有无再生而已。纵而论,不知始从何处,终将何去,吾侪又将何以为终,何以为始。盖人皆欲晓其理,予甚欲焉。
忆某时恍惚间,予立身宇宙之外,感己身弗有,若空身而随物,变化万端而又不可控。俯观我所知之宇宙,则身化成宇,思则成宙;忘我,不知何为宇宙,弗辨熟为你我。遂有天旋地转之感而昏,后记而生此系列之作也。此系列研究稿,亦为我《〇·本元》系列之重要组成部分。
斯文记于端午,屈原有云:“路漫漫其修远兮,吾将上下而求索”。可谓吾志也。
杨越
2018,端午节

《〇·本元》系列作品自述
       我從何而來?生物進化論不足以釋然,科學研究恐無良果,宗教傳說之言,雖不可信,然可參較。傳說之語似荒謬之言,實人之大思能也。宗教之恢弘敘事之能,堪為思之首。故宗教傳說之法,可參可與之較也。
       慾尋我,何不先棄我。我思故生萬物,萬物亦生我。然常物怎可見我?故考究常物,以常識之思,背而立之以為象,以此思其道,未為不可耳。
      憶往之善法,參時下之思論,察今之弊,思將來之善源,吾立〇之意也。
      〇者,宇宙萬物之律呂;周而復始之本像;本元之意也。其音但隨人意,可為o,為零,為喔,為圓,為圈等。余喜讀本元。本者,根基也。元者,始也,為初生之始,最善之時也。
      本元者,上善之地也。
      余善為視覺之物而拙於文,所思所感唯有視覺之物可圖。余願以此微渺平生,志之於本元上善之像也。然至今未可謀,僅有成百上千之研究稿。
     《〇》系列繪畫作品,亦為其之一偶。文論之述,可參看吾之日誌,《日常志》(每日所思所想之小記也)與《圖志稿》(創作之草稿及論述之文也)。評論解析之文,可參看楊瓊所書《語言,在思之外——有感楊越作品之碎語》一文。
      夫人於世,自有時之使也。為藝者,當鑒古惜今,匡正是時,圖良境,以遺後來者,方不辱其使也。
      奮進,奮進        
                                                                           楊越
                                                             二零一七年七月九日
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秩序和法则的规律1808 Painting

Yang Yue

China

Painting, Acrylic on Canvas

Size: 19.7 W x 15.7 H x 1.6 D in

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About The Artwork

作品说明:1,画作尺寸,厚度4cm;2,外框为实木L形,尺寸是画作尺寸长宽各加5cm,厚度5.5cm,颜色为木本色或依画面手工上色,颜色以第二张图中的为准,或可预定颜色;3,每幅作品,都附带有唯一的真迹保真证书一份;4,关于画作材质以及包装运输,我只选择最好的;5,附带有挂钩,钉子等,可以直接悬挂。 Works Description: 1, the size of the painting, thickness 4cm; 2, the outer frame is solid wood L-shaped, the size is the length and width of the painting plus 5cm, thickness 5.5cm, the color is woody or hand-colored according to the screen, the color in the second picture The prevailing, or can be scheduled to color; 3, each artwork, is accompanied by a unique copy of the original fidelity certificate; 4, on the painting material and packaging and transportation, I only choose the best; 5, with hooks, nails And so on, can be directly hung. 《〇·本元研究·秩序和法则的规律》系列作品自述 此系列之作,是在宇宙万物之间微妙的规律和相互对立性作用之下,对社会、人文、历史以及人类自身的秩序性和规则性的研究。 以所知宇宙之理而论,则唯有时间与空间永恒不息,互对互存。盖生命之有,亦在此番运动之中而生邪。观生命轮回,时代更迭,其迹或分散,或对立,或统一,或大同,莫不是周而复始,永不停歇。论及人类文明和人性之变,可道者万千,不变之说亦万千。若较之宇宙之变,又何其渺也,况吾生之一瞬,又何其渺然也!此中,不过多几点绚烂或几多黑暗也已,皆不过宇宙律吕之一环,终趋某点,亦有无再生而已。纵而论,不知始从何处,终将何去,吾侪又将何以为终,何以为始。盖人皆欲晓其理,予甚欲焉。 忆某时恍惚间,予立身宇宙之外,感己身弗有,若空身而随物,变化万端而又不可控。俯观我所知之宇宙,则身化成宇,思则成宙;忘我,不知何为宇宙,弗辨熟为你我。遂有天旋地转之感而昏,后记而生此系列之作也。此系列研究稿,亦为我《〇·本元》系列之重要组成部分。 斯文记于端午,屈原有云:“路漫漫其修远兮,吾将上下而求索”。可谓吾志也。 杨越 2018,端午节 《〇·本元》系列作品自述 我從何而來?生物進化論不足以釋然,科學研究恐無良果,宗教傳說之言,雖不可信,然可參較。傳說之語似荒謬之言,實人之大思能也。宗教之恢弘敘事之能,堪為思之首。故宗教傳說之法,可參可與之較也。 慾尋我,何不先棄我。我思故生萬物,萬物亦生我。然常物怎可見我?故考究常物,以常識之思,背而立之以為象,以此思其道,未為不可耳。 憶往之善法,參時下之思論,察今之弊,思將來之善源,吾立〇之意也。 〇者,宇宙萬物之律呂;周而復始之本像;本元之意也。其音但隨人意,可為o,為零,為喔,為圓,為圈等。余喜讀本元。本者,根基也。元者,始也,為初生之始,最善之時也。 本元者,上善之地也。 余善為視覺之物而拙於文,所思所感唯有視覺之物可圖。余願以此微渺平生,志之於本元上善之像也。然至今未可謀,僅有成百上千之研究稿。 《〇》系列繪畫作品,亦為其之一偶。文論之述,可參看吾之日誌,《日常志》(每日所思所想之小記也)與《圖志稿》(創作之草稿及論述之文也)。評論解析之文,可參看楊瓊所書《語言,在思之外——有感楊越作品之碎語》一文。 夫人於世,自有時之使也。為藝者,當鑒古惜今,匡正是時,圖良境,以遺後來者,方不辱其使也。 奮進,奮進 楊越 二零一七年七月九日

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:19.7 W x 15.7 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Yang Yue, a contemporary artist Born in Pingliang, Gansu Province in 1988, worked in Beijing in 2007 and now works and lives in Beijing. From 2007 to 2010, he used his artistic perspective to interpret the contemporary art history one by one. After 2010, the Series works emphasized the importance of decorative harmony and scientific, rational, and systematic thinking. Try to analyze and reconcile the contradiction between artistic thinking, scientific logic and religious philosophy. Through rare, magical, complex visual phenomena to reveal the concept of science, the order of the universe, the multiple relations between matter and space, and existence and nature, we want to presuppose a primitive world that is closer to the truth. As he said: "The 〇. The law of the universe, the beginning and the end of the law, Lu, the image of this element also. The person of this Yuan. The land of goodness is also."

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