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A Carnival of Pattern Painting

Anashrita Henckel

United Arab Emirates

Painting, Acrylic on Canvas

Size: 39.5 W x 39.5 H x 1.5 D in

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About The Artwork

Like a carnival dancer swirling through a street of colour, this painting captures a deep desire to be free, confident and spontaneous. Spiralling with a roller I could, for a moment, surrender to that freedom. But the ordered geometry with it's meditative, repetitive lines, shapes and forms draws me back, symbolising the order amidst the chaos and the calm and silence behind the cacophony of colour and sound. This piece could be viewed on many levels. The twelve sided geometric polygons can be seen as a symbol of time, our preoccupation with schedules and deadlines. Our need to break free and follow our intuition, if even for a short spin. The geometry, being mostly hidden may also be seen to hint at a hidden order behind the apparent chaos of daily life, whether this be the psychological structures we hold in our minds that help us order the events in our lives or possibly, deeply held spiritual beliefs that enable us to see meaning, even in the mundane.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.5 W x 39.5 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The order and perfection of geometry captured me from the moment my father put a compass in my hand, at the age of 4. Geometry often appears in my art and for me, it can be a symbol of order, structure and rules. To juxtapose fragments of perfectly formed geometry beside intuitive mark making, abstract swirls of colour or photo layered images and drawings fills me with a sense of satisfaction as it somehow mirrors our lives - a multiplicity of seemingly random events that may have some order beneath. Often, my artwork has a deeper symbolic narrative that allows it to almost be read and understood on a variety of levels. Certain geometric shapes and designs can be seen to have symbolic meaning in Islamic art, I sometimes use this to build in a deeper layer of symbolism into my work. Having lived the first part of my life in the diverse island of Trinidad, in the caribbean, I am drawn to vivid colours and textures, perhaps somehow harking back to the colours of carnival. Yet my personal studies into Islamic, Euclidean and non Euclidean geometry have opened up a world of psychological and spiritual symbology that has allowed me to explore bigger themes such as order and chaos; predetermination and freedom; intuition and reason.

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