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A Matter of Choice III Painting

Karina Czernek

Poland

Painting, Acrylic on Canvas

Size: 39.4 W x 55.1 H x 1.2 D in

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About The Artwork

I received Second Prize - the President of the City of Radom Award at the Polish Art Biennale - 45 Winter Salon, Radom, 2018 for this painting. :) This is the painting from the series :“Tomorrow I will Sew Myself Anew”. I try to show female problems by using lapidary forms and schemes.The themes of my paintings are a reflection of my own reflections on the stereotypes connected with female beauty. I touch on the subject of self-acceptance and elusive pursuit of the ideal. I pay attention to the broad concept of beauty, its intangibleness and relativity. By painting female figures emerging from decorative patterns, I try to present the complexity of female nature. Its composition is open and simple forms of matryoshkas are the repeated motif. The work was created on two fabrics stretched on each other with some distance between them that gives some space, which allows the lower layer to be more visible. I combined two fabrics together with similar folk floral pattern. Both of them in grey colour range. The lower part also has some accent of warmer grey and blue-turquoise and that’s the colour I glaze painted the patterns in the background surrounding all matryoshkas. The insides of the dolls were left in the natural fabric colour. The top layer of the painting is monochromatic semi-transparent silk chiffon. The forms of matryoshkas were painted in the places where the floral pattern has its symmetry axis which I could use to create a very schematic representation of their pelvis bones and ribs. In the matryoshkas with corsets, defined with a dashed line, the schematic representations are strongly deformed as it happens to women who wear tightly tied corsets in order to look slimmer. Only the matryoshka which does not wear a corset does not have distorted ribs. In this work, I enhanced the forms of dolls by providing painting treatment to the background around them. I linearly condensed existing fabric pattern, creating almost an intricate folk lace, that, in my opinion, works well with the folk motif of women-matryoshkas.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 55.1 H x 1.2 D in

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Born in Katowice (Poland). Graduated from the University of Silesia in Katowice, Faculty of Pedagogy and Fine Arts in Cieszyn. Diploma with distinction in the painting studio of prof. Jerzy Wroński received in 1998. In 2018 she received a PhD in the field of visual arts. *** The author of 19 solo exhibitions. Took part in 20 collective exhibitions, including three times for the Biennale of Painting "Bielska Jesień" at Galeria Bielska BWA in Bielsko-Biała (2005, 2011, 2017), to "10. Triennial of Small Painting Forms" at the Wozownia Art Gallery in Toruń (2016), to IVth Triennial of ANIMALIS Painting at the Municipal MM Art Gallery in Chorzów (2017) and to the International Quadro Art Biennale in Łódź (2018), where she received an honorary distinction. At the National Art Biennale - 45 Winter Salon, Radom 2018 received the second prize - the President of the City of Radom Award. She is also a laureate of the Awards of the Director of the Galeria Bielska BWA during the 3rd Bielski Festival of Visual Arts 2014, which was an invitation to an individual exhibition at Galeria Bielska BWA. In 2015, she received a scholarship from the City of Bielsko-Biała in the field of culture and art. **************************************** For over 15 years I have been painting in my own unique technique, which allows me to achieve an effect of interpenetrating planes. I play with combining various techniques, I experiment and look for new solutions. The technique I use corresponds well with the main theme of my works, which is a woman and problems that concern her. It helps me to extract and highlight the unique nature of a woman. The poetry of my paintings carries some hidden contents. An effect of understatement, lyrical atmosphere, which I desire to achieve by using overlaying semi-transparent industrial fabrics that partly cove the lower layer, is supposed to enhance the aura of mystery which surrounds women. I create a world of women, who are beautiful, though sometimes mutilated, a world of women - dolls and folk matryoshkas, who hide their deepest secrets under subsequent layers. By painting female figures emerging from decorative patterns, I try to present the complexity of female nature. The themes of my paintings are a reflection of my own reflections on the stereotypes connected with female beauty. I touch on the subject of self-acceptance and elusive pursuit of the ideal.

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