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United Kingdom
Painting, Acrylic on Wood
Size: 49.6 W x 23.2 H x 0.5 D in
Ships in a Crate
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Artist featured in a collection
A Place Unknown is a multimedia painting, using acrylic paint, graphic marker and pressed flowers to create a complex surface with intertwining layers. With a conceptual basis of phenomenology, the triptych explores the details in nature and celebrates the beauty in the typically overlooked. The painting is finished with a gloss varnish, for a shiny surface.
Multi-paneled Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:49.6 W x 23.2 H x 0.5 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I am a painter based in Cardiff that graduated from Cardiff School of Art and Design in 2019 with a first-class degree. Through paint I attempt to create an original visual language, to open up a refreshing and sentient perspective of the natural landscape of St Ives, Cornwall. In reference to phenomenology, this is identifiable as an integrated or embodied experience. Phenomenology allows us to explore our relationship to the world using all our senses. Central to this is the argument that the body is a form of consciousness underpinning all action, Merleau-Ponty argues that “there is not in the normal subject a tactile experience and also a visual one, but an integrated experience to which it is impossible to gauge the contribution of each sense” (Merleau-Ponty: 1945). My practice considers phenomenological experience as a way to translate and visualise how I internalise and engage with the natural landscape. My practice is explorative and experimental as I attempt to challenge both my theoretical concepts and technical approaches to painting, to increase visual dynamic. My process is intuitive, working instinctively with no preconceived notion of the end image. With a basis in colour theory and aesthetics, I use colour in a playful manner as an extension of the landscape. Through integrated and complex layers of brush strokes, graphic line, colour blocks and repeat patterns, I aim to increase visual dynamic and depth, to create a pathway for visual exploration.
Artist featured by Saatchi Art in a collection
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