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Académie Royale de Danse Painting

Dariusz Labuzek

United States

Painting, Acrylic on Canvas

Size: 140 W x 64 H x 0.1 D in

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Artist Recognition
link - Featured in Rising Stars

Featured in Rising Stars

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

(SOLD) The Académie Royale de Danse, founded by letters patent on the initiative of King Louis XIV of France in March 1662, was the first dance institution established in the Western world. The walls of the palace were formed of drifted snow, and the windows and doors of the cutting winds. There were more than a hundred rooms in it, all as if they had been formed with snow blown together. The largest of them extended for several miles; they were all lighted up by the vivid light of the aurora, and they were so large and empty, so icy cold and glittering! There were no amusements here, not even a little bear’s ball, when the storm might have been the music, and the bears could have danced on their hind legs, and shown their good manners. There were no pleasant games of snap-dragon, or touch, or even a gossip over the tea-table, for the young-lady foxes. Empty, vast, and cold were the halls of the Snow Queen. The flickering flame of the northern lights could be plainly seen, whether they rose high or low in the heavens, from every part of the castle. In the midst of its empty, endless hall of snow was a frozen lake, broken on its surface into a thousand forms; each piece resembled another, from being in itself perfect as a work of art, and in the centre of this lake sat the Snow Queen, when she was at home. She called the lake “The Mirror of Reason,” and said that it was the best, and indeed the only one in the world.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

140 W x 64 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

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Dariusz Labuzek’s primitive-style paintings are inherently figurative. Yet, their naive imagery is predominantly stylized and has an illustrative quality that is founded on an abstract painterly aesthetic. The juxtaposition of abstraction and figuration, and the fusion of mixed media, gestures, and symbols, make his work compelling. His figures were created as vessels to be filled with textures, colors, and ideas, captivating compositions that conspire to feed our curiosity and imagination. Feeding a sculptural sensibility – possibly informed by his training as an architect and filmmaker – Labuzek repeats the same motifs in his paintings, yet each painting is utterly different. His starting point is the relationship between painterly concepts such as texture, color, line, and form; this play on ideas gives him space to explore how we see a painting, the depth, and nuance of material, as well as the potential it has to manipulate how we view the picture plane. Some of his figures look like copper or collage-like cutouts, the rest more illustrative in nature. This freedom of expression, of looking to articulate the emotional and poetic quality of an image through painterly concepts, is a subject that has preoccupied many artists throughout the 20th century, some of whom have laid the foundation for Labuzek’s own creative journey, such as Pablo Picasso, Antonio Tapies, Jean-Michel Basquiat, Agusti Puig, Magdalena Abakanowicz, Artur Nacht-Samborski, Cy Twombly, Zdzisław Beksinski, Jacek Göttel, Richard Diebenkorn, Jackson Pollock as well as Zhou Brothers, Roger Ballen, and Gerhard Richter. Labuzek continues in the tradition of these great artists, as a painter who is in love with his medium, in the possibilities that lie in brush and paint, in the potential that an abstract world of strange humanoid figures can lead us into a world that lightens up our imagination. Dariusz was born in Poland and studied architecture at the Institute of Technology in Cracow. He immigrated to the United States in 1990 and attended a film and theater program at Humboldt State University in California. In 1992 he moved to Chicago, where he continued painting and developing his unique style of figurative expression. In 2016 he relocated to San Francisco Bay Area. Dariusz has exhibited for over two decades in various exhibitions, including galleries. His work is collected extensively across the world.

Artist Recognition
Featured in Rising Stars

Handpicked by Saatchi Art's Chief Curator for our most prestigious feature, Rising Stars

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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