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My diptych Adam & Eva 
Project “Trouble in Paradise” 
2 artwork - 150*70 cm, acrylic, medium, gold, pencil, canvas, 2019 . 150*140 cm

Our body seems to be the only constant thing, which presence in the world is doubtless. It’s through the body that we ascertain our own reality: I feel pain, itchy, cold…  At the same time it’s the sources of the greatest transformations during our life. It can be difficult to embrace that, roughly speaking, we are an almost mystic alchemy of hormones, metabolism, and continuous birth and death that takes place inside us. We’re a permanently changing structure. Thus, it comes as no surprise metamorphoses were one of the main motifs in classical art that still draws attention of contemporary masters. Art itself is based on mutability: as an American art theoretician and critic James Elkins noted, “Ultimately, seeing alters the thing that is seen and transforms the seer. Seeing is metamorphosis, not mechanism”. Metamorphoses reveal the essence of this or that thing.
The featured painting project by Tetiana Cherevan explores the manifestations of different complex inner states we all experience, as love, pain, desire. Those deep impulses are rooted in our unconsciousness. They are universal by nature, hence it’s completely logical the artist uses images (snake, shell, peacock, apple) that are connected with the various religions, myths and practices, referring to a huge cultural diversity from Christianity to Buddhism.

At the heart of the painting is figure paste, around characters that are drawn with a charcoal pencil.  Around Eve gold leaf set out a circle that symbolizes the ovule.  The work is fixed matte varnish.
My diptych Adam & Eva 
Project “Trouble in Paradise” 
2 artwork - 150*70 cm, acrylic, medium, gold, pencil, canvas, 2019 . 150*140 cm

Our body seems to be the only constant thing, which presence in the world is doubtless. It’s through the body that we ascertain our own reality: I feel pain, itchy, cold…  At the same time it’s the sources of the greatest transformations during our life. It can be difficult to embrace that, roughly speaking, we are an almost mystic alchemy of hormones, metabolism, and continuous birth and death that takes place inside us. We’re a permanently changing structure. Thus, it comes as no surprise metamorphoses were one of the main motifs in classical art that still draws attention of contemporary masters. Art itself is based on mutability: as an American art theoretician and critic James Elkins noted, “Ultimately, seeing alters the thing that is seen and transforms the seer. Seeing is metamorphosis, not mechanism”. Metamorphoses reveal the essence of this or that thing.
The featured painting project by Tetiana Cherevan explores the manifestations of different complex inner states we all experience, as love, pain, desire. Those deep impulses are rooted in our unconsciousness. They are universal by nature, hence it’s completely logical the artist uses images (snake, shell, peacock, apple) that are connected with the various religions, myths and practices, referring to a huge cultural diversity from Christianity to Buddhism.

At the heart of the painting is figure paste, around characters that are drawn with a charcoal pencil.  Around Eve gold leaf set out a circle that symbolizes the ovule.  The work is fixed matte varnish.
My diptych Adam & Eva 
Project “Trouble in Paradise” 
2 artwork - 150*70 cm, acrylic, medium, gold, pencil, canvas, 2019 . 150*140 cm

Our body seems to be the only constant thing, which presence in the world is doubtless. It’s through the body that we ascertain our own reality: I feel pain, itchy, cold…  At the same time it’s the sources of the greatest transformations during our life. It can be difficult to embrace that, roughly speaking, we are an almost mystic alchemy of hormones, metabolism, and continuous birth and death that takes place inside us. We’re a permanently changing structure. Thus, it comes as no surprise metamorphoses were one of the main motifs in classical art that still draws attention of contemporary masters. Art itself is based on mutability: as an American art theoretician and critic James Elkins noted, “Ultimately, seeing alters the thing that is seen and transforms the seer. Seeing is metamorphosis, not mechanism”. Metamorphoses reveal the essence of this or that thing.
The featured painting project by Tetiana Cherevan explores the manifestations of different complex inner states we all experience, as love, pain, desire. Those deep impulses are rooted in our unconsciousness. They are universal by nature, hence it’s completely logical the artist uses images (snake, shell, peacock, apple) that are connected with the various religions, myths and practices, referring to a huge cultural diversity from Christianity to Buddhism.

At the heart of the painting is figure paste, around characters that are drawn with a charcoal pencil.  Around Eve gold leaf set out a circle that symbolizes the ovule.  The work is fixed matte varnish.
My diptych Adam & Eva 
Project “Trouble in Paradise” 
2 artwork - 150*70 cm, acrylic, medium, gold, pencil, canvas, 2019 . 150*140 cm

Our body seems to be the only constant thing, which presence in the world is doubtless. It’s through the body that we ascertain our own reality: I feel pain, itchy, cold…  At the same time it’s the sources of the greatest transformations during our life. It can be difficult to embrace that, roughly speaking, we are an almost mystic alchemy of hormones, metabolism, and continuous birth and death that takes place inside us. We’re a permanently changing structure. Thus, it comes as no surprise metamorphoses were one of the main motifs in classical art that still draws attention of contemporary masters. Art itself is based on mutability: as an American art theoretician and critic James Elkins noted, “Ultimately, seeing alters the thing that is seen and transforms the seer. Seeing is metamorphosis, not mechanism”. Metamorphoses reveal the essence of this or that thing.
The featured painting project by Tetiana Cherevan explores the manifestations of different complex inner states we all experience, as love, pain, desire. Those deep impulses are rooted in our unconsciousness. They are universal by nature, hence it’s completely logical the artist uses images (snake, shell, peacock, apple) that are connected with the various religions, myths and practices, referring to a huge cultural diversity from Christianity to Buddhism.

At the heart of the painting is figure paste, around characters that are drawn with a charcoal pencil.  Around Eve gold leaf set out a circle that symbolizes the ovule.  The work is fixed matte varnish.
My diptych Adam & Eva 
Project “Trouble in Paradise” 
2 artwork - 150*70 cm, acrylic, medium, gold, pencil, canvas, 2019 . 150*140 cm

Our body seems to be the only constant thing, which presence in the world is doubtless. It’s through the body that we ascertain our own reality: I feel pain, itchy, cold…  At the same time it’s the sources of the greatest transformations during our life. It can be difficult to embrace that, roughly speaking, we are an almost mystic alchemy of hormones, metabolism, and continuous birth and death that takes place inside us. We’re a permanently changing structure. Thus, it comes as no surprise metamorphoses were one of the main motifs in classical art that still draws attention of contemporary masters. Art itself is based on mutability: as an American art theoretician and critic James Elkins noted, “Ultimately, seeing alters the thing that is seen and transforms the seer. Seeing is metamorphosis, not mechanism”. Metamorphoses reveal the essence of this or that thing.
The featured painting project by Tetiana Cherevan explores the manifestations of different complex inner states we all experience, as love, pain, desire. Those deep impulses are rooted in our unconsciousness. They are universal by nature, hence it’s completely logical the artist uses images (snake, shell, peacock, apple) that are connected with the various religions, myths and practices, referring to a huge cultural diversity from Christianity to Buddhism.

At the heart of the painting is figure paste, around characters that are drawn with a charcoal pencil.  Around Eve gold leaf set out a circle that symbolizes the ovule.  The work is fixed matte varnish.

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Adam & Eva Painting

Tetiana Cherevan

Spain

Painting, Acrylic on Canvas

Size: 55.1 W x 59.1 H x 1.2 D in

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$10,820

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ABOUT THE ARTWORK

My diptych Adam & Eva Project “Trouble in Paradise” 2 artwork - 150*70 cm, acrylic, medium, gold, pencil, canvas, 2019 . 150*140 cm Our body seems to be the only constant thing, which presence in the world is doubtless. It’s through the body that we ascertain our own reality: I feel pain, itchy, cold… At the same time it’s the sources of the greatest transformations during our life. It can be difficult to embrace that, roughly speaking, we are an almost mystic alchemy of hormones, metabolism, and continuous birth and death that takes place inside us. We’re a permanently changing structure. Thus, it comes as no surprise metamorphoses were one of the main motifs in classical art that still draws attention of contemporary masters. Art itself is based on mutability: as an American art theoretician and critic James Elkins noted, “Ultimately, seeing alters the thing that is seen and transforms the seer. Seeing is metamorphosis, not mechanism”. Metamorphoses reveal the essence of this or that thing. The featured painting project by Tetiana Cherevan explores the manifestations of different complex inner states we all experience, as love, pain, desire. Those deep impulses are rooted in our unconsciousness. They are universal by nature, hence it’s completely logical the artist uses images (snake, shell, peacock, apple) that are connected with the various religions, myths and practices, referring to a huge cultural diversity from Christianity to Buddhism. At the heart of the painting is figure paste, around characters that are drawn with a charcoal pencil. Around Eve gold leaf set out a circle that symbolizes the ovule. The work is fixed matte varnish.

DETAILS AND DIMENSIONS
Multi-paneled Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

55.1 W x 59.1 H x 1.2 D in

Number of Panels:

2

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Lives and works in Spane. She was born in Ukraine before the war. At the beginning of the war, she emigrated to Spain. Graduated from Cherkasy Arts College and Cherkasy National University. Tetiana Cherevan - Ukrainian artist and Human of the World. She loves life, art, and her family. While traveling the artist discovers new worlds and creates new paintings. In her artistic work, Tetiana explores women and herself, encouraging to admire women through subtle depiction of her individuality and sophisticated inner world. Tetiana captures delicate and powerful female features to show ‘the infinite in finite’ instead of merely depicting their beauty. The floral, Art Nouveau ornamentation underlines the temporality of all material things, as there’s nothing more transient than the life of a flower. The centricity of compositions and static poses of the models strengthen the hieratical flavor of the paintings, while a generously applied golden tint is traditionally associated with light and spiritual growth. Tetiana paints the world, feeling pain or love by every fiber of her soul, creating art not with her hand but with her heart. The more sensitive the subject gets, the stronger the canvas perceives it, absorbing the emotions, experiences, and energy of the creator. Her paintings are a journey into the subconscious realm of impressions, into the world of feelings, individual and universal. Refined lines flow and dance captivating viewers with fascinating beauty. The images of young ladies are harmoniously floriated. Their bodies flow into ornamentation and ornamentation – into bodies.

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