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The kind of painting that would suit someone who values an alternative way of life.
I called this series the Afterlife because it's a comment on what people believe, especially the original occupants who once wore these skulls. I wonder what it was they believed would happen after they died? To end up as a digital file popping onto screens around the world? This skull is named Afterlife - Mansion, after the belief of someone very dear to me. There are 4 skulls in the series. I painted these skulls pink to soften the blow of looking at hardcore subject matter. I saw these skulls when visiting Sedlec Ossuary in Czech Republic. In the 15th century a half blind monk was given the task of dealing with the 40,000 human remains from the most popular grave yard in central Europe. He used the bones creatively to decorate a crypt. The energy of the place was so sympathetic and honoured the dead in such a beautiful manner. I hope these paintings do it some justice too. I found that painting each skull was like painting a portrait, defining each furrow and brow, gives a suggestion of a face or personality of a life once lived.
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Afterlife - Mansion Painting

Emma Plunkett

Spain

Painting, Oil on Canvas

Size: 39.4 W x 31.5 H x 0.8 D in

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$1,070

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About The Artwork

I called this series the Afterlife because it's a comment on what people believe, especially the original occupants who once wore these skulls. I wonder what it was they believed would happen after they died? To end up as a digital file popping onto screens around the world? This skull is named Afterlife - Mansion, after the belief of someone very dear to me. There are 4 skulls in the series. I painted these skulls pink to soften the blow of looking at hardcore subject matter. I saw these skulls when visiting Sedlec Ossuary in Czech Republic. In the 15th century a half blind monk was given the task of dealing with the 40,000 human remains from the most popular grave yard in central Europe. He used the bones creatively to decorate a crypt. The energy of the place was so sympathetic and honoured the dead in such a beautiful manner. I hope these paintings do it some justice too. I found that painting each skull was like painting a portrait, defining each furrow and brow, gives a suggestion of a face or personality of a life once lived.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 31.5 H x 0.8 D in

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Emma is a London born and educated artist, digital video maker and designer – her artwork straddles stoneware sculpture, cyanotype printing, painting (watercolour, oil and acrylic), illustration, photography, fabric art, animation and vector design. Emma's art is highly personal, her subjects include her friends (animal as well as human), places she’s visited, experiences and things that capture her imagination. Her artwork is uncontrived and free from trying to be anything other than what it is. "At the core of Emma Plunkett's work is the female. Not feminine or politicised. Whether it be a disappearing view of trees into the Spanish horizon, a slithering viscous ceramic or a candid nude. It is always individual and genuine. This we must celebrate”. Gareth Lister - Artist & Curator

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