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Aliens vs. Predator (Comic) Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 48 W x 36 H x 1.5 D in

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About The Artwork

Aliens. Predator (also known as Aliens versus Predator, abbreviated AVP) is a comic book series published by Dark Horse Comicsbetween 1989 and 2020 on an intermittent basis, written and drawn by various artists. Dark Horse also publishes the Aliens and Predator lines of comics. AVP is part of the crossover franchise originated and published by Dark Horse Comics. According to the notes which accompany the first Aliens versus Predator graphic novel, the original idea of combining the Aliens with Predators was the result of a late 1980s brain-storming session between the comic's creators (AVP artist and editor Chris Warner is specifically credited). Eventually, a film, Alien vs. Predator, was made in 2004, with a sequel in 2007 (called Aliens vs. Predator: Requiem) including a hybrid of a Xenomorph and a Predator. However, the films did not follow either the settings or the stories of the original comic series. Original Aliens vs. Predator comic: The first Aliens versus Predator centers on Ryushi, a recently colonized planet, and Machiko Noguchi, the Chigusa Corporation's administrator there. The settlers on Ryushi raise cattle-like quadrupedal ungulates called rhynth for export to other solar systems, and at the time of the story are in the process of assembling a shipment of the native livestock. Unbeknownst to the colonists, Ryushi is a traditional hunting ground of the Predators, and they are returning for their initiation rites. On board the Predator ship, the prey are prepared: an Alien queen lays eggs for delivery to Ryushi. Confounding the Predator's safeguards, this queen manages to slip an egg containing the seed of another queen into the shipment. On reaching Ryushi, the eggs hatch and infect Rhynths. Led by a Predator elder, "Broken Tusk", the Predators arrive expecting to encounter Aliens. However, they soon encounter the settlers and, after Broken Tusk is incapacitated, change their plans to hunt them instead. Meanwhile, the infected Rhynth have been loaded aboard a cargo transporter and, with a queen among their number, an Alien colony quickly takes hold. The Predator assault continues to the settler colony itself, and the surviving settlers find themselves pitched between the Aliens and Predators. Broken Tusk, now recovered due to the intervention of a human doctor, sides with Machiko, and together with the cargo ship's crew they arrange for the transporter's massive orbiter to crash into Ryushi and destroy the colony and the Aliens. In the ensuing fight, Broken Tusk is mortally wounded, but, admiring the courage of his human comrade, "bloods" Machiko with the mark of his clan. The story concludes with Machiko the sole inhabitant of Ryushi, the surviving settlers having been evacuated from the planet. She awaits, and is rewarded with, the return of the Predators and another hunt. One of Broken Tusk's former Predator rivals greets her and, recognizing Broken Tusk's clan symbol, accepts Machiko into the hunt. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 36 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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