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Oh, for the sake of momentum
I've allowed my fears
To get larger than life
And it's brought me to my current agendum
Whereupon I deny fulfillment has yet to arrive
And I know life is getting shorter
I can't bring myself to set the scene
Even when it's approaching torture
I've got my routine
Oh, for the sake of momentum
Even thought I agree with that stuff
About seizing the day
But I hate to think of effort expended
All those minutes and days and hours
I've have frittered away
And I know life is getting shorter
I can't bring myself to set the scene
Even when it's approaching torture
I've got my routine
But I can't confront the doubts I have
I can't admit that maybe the past was bad
And so, for the sake of momentum,
I'm condemning the future to death
So it can match the past

‘Momentum’ by Aimee Mann
Songwriter: Aimee Mann


Magnolia: Music from the Motion Picture is the soundtrack album to the film of the same name. Largely composed of works by Aimee Mann, enough such that she receives a title billing on the album, it features tracks by Gabrielle, Supertramp and Jon Brion. The album has been received positively by critics.

Paul Thomas Anderson stated that Magnolia was inspired by Mann's music.

Many of the songs feature prominently within the film, with "Wise Up" even being sung by the cast at one point, but only two of the songs were written expressly for the film, those being "You Do" and "Save Me". "Save Me" would garner Mann an Academy Award nomination for Best Original Song, losing to Phil Collins's song "You'll Be in My Heart" from Tarzan. (Noooo!)

The tracks "Deathly", "Driving Sideways", and "You Do" show up on Aimee Mann's following album, Bachelor No. 2, though the track "Save Me" replaces "Driving Sideways" on EU editions. "Nothing Is Good Enough", here an instrumental, appears in lyrical form on that album. (Bachelor also includes "Red Vines", a song Mann wrote about director Anderson.)

The beginning of the song "You Could Make a Killing" and the bit that appears after the track "It's Not Safe", both from I'm with Stupid, also appear briefly in the beginning of the film, but the tracks do not appear on this album.

The song "One", written by Harry Nilsson and originally made popular by Three Dog Night, is played during the first five minutes of the movie, and contains several obscure musical references to other Nilsson songs. It opens with a sample of Nilsson saying "Okay, Mr. Mix!" taken from the start of his song "Cuddly Toy". This version of the song also includes lyrics from Nilsson's song "Together" sung in the background. ("Life isn't easy when two are divided / and one has decided / to bring down the curtain / and one thing's for certain / there's nothing to keep them together."). Furthermore, the opening vocal motif from Nilsson's song "Good Old Desk" is used as a background vocal line (at approximately 1:54 into the song). Neil Innes, from The Bonzo Dog Doo Dah Band and The Rutles, and Chris Difford of Squeeze provide backing vocals. This track originally appeared on the For the Love of Harry: Everybody Sings Nilsson tribute album.


Aimee Elizabeth Mann (born September 8, 1960) is an American singer-songwriter. In the 1980s Mann was the bassist and a vocalist for 'Til Tuesday, and wrote their top-ten single "Voices Carry". She released her debut solo album, Whatever, in 1993, and has released many albums since. In 1999, Mann recorded songs for the soundtrack to the Paul Thomas Anderson film Magnolia, which earned Academy Award and Grammy Award nominations for the song "Save Me". She has won two Grammy Awards and was named one of the world's ten greatest living songwriters by NPR in 2006.

Source: Wikipedia
Oh, for the sake of momentum
I've allowed my fears
To get larger than life
And it's brought me to my current agendum
Whereupon I deny fulfillment has yet to arrive
And I know life is getting shorter
I can't bring myself to set the scene
Even when it's approaching torture
I've got my routine
Oh, for the sake of momentum
Even thought I agree with that stuff
About seizing the day
But I hate to think of effort expended
All those minutes and days and hours
I've have frittered away
And I know life is getting shorter
I can't bring myself to set the scene
Even when it's approaching torture
I've got my routine
But I can't confront the doubts I have
I can't admit that maybe the past was bad
And so, for the sake of momentum,
I'm condemning the future to death
So it can match the past

‘Momentum’ by Aimee Mann
Songwriter: Aimee Mann


Magnolia: Music from the Motion Picture is the soundtrack album to the film of the same name. Largely composed of works by Aimee Mann, enough such that she receives a title billing on the album, it features tracks by Gabrielle, Supertramp and Jon Brion. The album has been received positively by critics.

Paul Thomas Anderson stated that Magnolia was inspired by Mann's music.

Many of the songs feature prominently within the film, with "Wise Up" even being sung by the cast at one point, but only two of the songs were written expressly for the film, those being "You Do" and "Save Me". "Save Me" would garner Mann an Academy Award nomination for Best Original Song, losing to Phil Collins's song "You'll Be in My Heart" from Tarzan. (Noooo!)

The tracks "Deathly", "Driving Sideways", and "You Do" show up on Aimee Mann's following album, Bachelor No. 2, though the track "Save Me" replaces "Driving Sideways" on EU editions. "Nothing Is Good Enough", here an instrumental, appears in lyrical form on that album. (Bachelor also includes "Red Vines", a song Mann wrote about director Anderson.)

The beginning of the song "You Could Make a Killing" and the bit that appears after the track "It's Not Safe", both from I'm with Stupid, also appear briefly in the beginning of the film, but the tracks do not appear on this album.

The song "One", written by Harry Nilsson and originally made popular by Three Dog Night, is played during the first five minutes of the movie, and contains several obscure musical references to other Nilsson songs. It opens with a sample of Nilsson saying "Okay, Mr. Mix!" taken from the start of his song "Cuddly Toy". This version of the song also includes lyrics from Nilsson's song "Together" sung in the background. ("Life isn't easy when two are divided / and one has decided / to bring down the curtain / and one thing's for certain / there's nothing to keep them together."). Furthermore, the opening vocal motif from Nilsson's song "Good Old Desk" is used as a background vocal line (at approximately 1:54 into the song). Neil Innes, from The Bonzo Dog Doo Dah Band and The Rutles, and Chris Difford of Squeeze provide backing vocals. This track originally appeared on the For the Love of Harry: Everybody Sings Nilsson tribute album.


Aimee Elizabeth Mann (born September 8, 1960) is an American singer-songwriter. In the 1980s Mann was the bassist and a vocalist for 'Til Tuesday, and wrote their top-ten single "Voices Carry". She released her debut solo album, Whatever, in 1993, and has released many albums since. In 1999, Mann recorded songs for the soundtrack to the Paul Thomas Anderson film Magnolia, which earned Academy Award and Grammy Award nominations for the song "Save Me". She has won two Grammy Awards and was named one of the world's ten greatest living songwriters by NPR in 2006.

Source: Wikipedia
Oh, for the sake of momentum
I've allowed my fears
To get larger than life
And it's brought me to my current agendum
Whereupon I deny fulfillment has yet to arrive
And I know life is getting shorter
I can't bring myself to set the scene
Even when it's approaching torture
I've got my routine
Oh, for the sake of momentum
Even thought I agree with that stuff
About seizing the day
But I hate to think of effort expended
All those minutes and days and hours
I've have frittered away
And I know life is getting shorter
I can't bring myself to set the scene
Even when it's approaching torture
I've got my routine
But I can't confront the doubts I have
I can't admit that maybe the past was bad
And so, for the sake of momentum,
I'm condemning the future to death
So it can match the past

‘Momentum’ by Aimee Mann
Songwriter: Aimee Mann


Magnolia: Music from the Motion Picture is the soundtrack album to the film of the same name. Largely composed of works by Aimee Mann, enough such that she receives a title billing on the album, it features tracks by Gabrielle, Supertramp and Jon Brion. The album has been received positively by critics.

Paul Thomas Anderson stated that Magnolia was inspired by Mann's music.

Many of the songs feature prominently within the film, with "Wise Up" even being sung by the cast at one point, but only two of the songs were written expressly for the film, those being "You Do" and "Save Me". "Save Me" would garner Mann an Academy Award nomination for Best Original Song, losing to Phil Collins's song "You'll Be in My Heart" from Tarzan. (Noooo!)

The tracks "Deathly", "Driving Sideways", and "You Do" show up on Aimee Mann's following album, Bachelor No. 2, though the track "Save Me" replaces "Driving Sideways" on EU editions. "Nothing Is Good Enough", here an instrumental, appears in lyrical form on that album. (Bachelor also includes "Red Vines", a song Mann wrote about director Anderson.)

The beginning of the song "You Could Make a Killing" and the bit that appears after the track "It's Not Safe", both from I'm with Stupid, also appear briefly in the beginning of the film, but the tracks do not appear on this album.

The song "One", written by Harry Nilsson and originally made popular by Three Dog Night, is played during the first five minutes of the movie, and contains several obscure musical references to other Nilsson songs. It opens with a sample of Nilsson saying "Okay, Mr. Mix!" taken from the start of his song "Cuddly Toy". This version of the song also includes lyrics from Nilsson's song "Together" sung in the background. ("Life isn't easy when two are divided / and one has decided / to bring down the curtain / and one thing's for certain / there's nothing to keep them together."). Furthermore, the opening vocal motif from Nilsson's song "Good Old Desk" is used as a background vocal line (at approximately 1:54 into the song). Neil Innes, from The Bonzo Dog Doo Dah Band and The Rutles, and Chris Difford of Squeeze provide backing vocals. This track originally appeared on the For the Love of Harry: Everybody Sings Nilsson tribute album.


Aimee Elizabeth Mann (born September 8, 1960) is an American singer-songwriter. In the 1980s Mann was the bassist and a vocalist for 'Til Tuesday, and wrote their top-ten single "Voices Carry". She released her debut solo album, Whatever, in 1993, and has released many albums since. In 1999, Mann recorded songs for the soundtrack to the Paul Thomas Anderson film Magnolia, which earned Academy Award and Grammy Award nominations for the song "Save Me". She has won two Grammy Awards and was named one of the world's ten greatest living songwriters by NPR in 2006.

Source: Wikipedia
Oh, for the sake of momentum
I've allowed my fears
To get larger than life
And it's brought me to my current agendum
Whereupon I deny fulfillment has yet to arrive
And I know life is getting shorter
I can't bring myself to set the scene
Even when it's approaching torture
I've got my routine
Oh, for the sake of momentum
Even thought I agree with that stuff
About seizing the day
But I hate to think of effort expended
All those minutes and days and hours
I've have frittered away
And I know life is getting shorter
I can't bring myself to set the scene
Even when it's approaching torture
I've got my routine
But I can't confront the doubts I have
I can't admit that maybe the past was bad
And so, for the sake of momentum,
I'm condemning the future to death
So it can match the past

‘Momentum’ by Aimee Mann
Songwriter: Aimee Mann


Magnolia: Music from the Motion Picture is the soundtrack album to the film of the same name. Largely composed of works by Aimee Mann, enough such that she receives a title billing on the album, it features tracks by Gabrielle, Supertramp and Jon Brion. The album has been received positively by critics.

Paul Thomas Anderson stated that Magnolia was inspired by Mann's music.

Many of the songs feature prominently within the film, with "Wise Up" even being sung by the cast at one point, but only two of the songs were written expressly for the film, those being "You Do" and "Save Me". "Save Me" would garner Mann an Academy Award nomination for Best Original Song, losing to Phil Collins's song "You'll Be in My Heart" from Tarzan. (Noooo!)

The tracks "Deathly", "Driving Sideways", and "You Do" show up on Aimee Mann's following album, Bachelor No. 2, though the track "Save Me" replaces "Driving Sideways" on EU editions. "Nothing Is Good Enough", here an instrumental, appears in lyrical form on that album. (Bachelor also includes "Red Vines", a song Mann wrote about director Anderson.)

The beginning of the song "You Could Make a Killing" and the bit that appears after the track "It's Not Safe", both from I'm with Stupid, also appear briefly in the beginning of the film, but the tracks do not appear on this album.

The song "One", written by Harry Nilsson and originally made popular by Three Dog Night, is played during the first five minutes of the movie, and contains several obscure musical references to other Nilsson songs. It opens with a sample of Nilsson saying "Okay, Mr. Mix!" taken from the start of his song "Cuddly Toy". This version of the song also includes lyrics from Nilsson's song "Together" sung in the background. ("Life isn't easy when two are divided / and one has decided / to bring down the curtain / and one thing's for certain / there's nothing to keep them together."). Furthermore, the opening vocal motif from Nilsson's song "Good Old Desk" is used as a background vocal line (at approximately 1:54 into the song). Neil Innes, from The Bonzo Dog Doo Dah Band and The Rutles, and Chris Difford of Squeeze provide backing vocals. This track originally appeared on the For the Love of Harry: Everybody Sings Nilsson tribute album.


Aimee Elizabeth Mann (born September 8, 1960) is an American singer-songwriter. In the 1980s Mann was the bassist and a vocalist for 'Til Tuesday, and wrote their top-ten single "Voices Carry". She released her debut solo album, Whatever, in 1993, and has released many albums since. In 1999, Mann recorded songs for the soundtrack to the Paul Thomas Anderson film Magnolia, which earned Academy Award and Grammy Award nominations for the song "Save Me". She has won two Grammy Awards and was named one of the world's ten greatest living songwriters by NPR in 2006.

Source: Wikipedia
Oh, for the sake of momentum
I've allowed my fears
To get larger than life
And it's brought me to my current agendum
Whereupon I deny fulfillment has yet to arrive
And I know life is getting shorter
I can't bring myself to set the scene
Even when it's approaching torture
I've got my routine
Oh, for the sake of momentum
Even thought I agree with that stuff
About seizing the day
But I hate to think of effort expended
All those minutes and days and hours
I've have frittered away
And I know life is getting shorter
I can't bring myself to set the scene
Even when it's approaching torture
I've got my routine
But I can't confront the doubts I have
I can't admit that maybe the past was bad
And so, for the sake of momentum,
I'm condemning the future to death
So it can match the past

‘Momentum’ by Aimee Mann
Songwriter: Aimee Mann


Magnolia: Music from the Motion Picture is the soundtrack album to the film of the same name. Largely composed of works by Aimee Mann, enough such that she receives a title billing on the album, it features tracks by Gabrielle, Supertramp and Jon Brion. The album has been received positively by critics.

Paul Thomas Anderson stated that Magnolia was inspired by Mann's music.

Many of the songs feature prominently within the film, with "Wise Up" even being sung by the cast at one point, but only two of the songs were written expressly for the film, those being "You Do" and "Save Me". "Save Me" would garner Mann an Academy Award nomination for Best Original Song, losing to Phil Collins's song "You'll Be in My Heart" from Tarzan. (Noooo!)

The tracks "Deathly", "Driving Sideways", and "You Do" show up on Aimee Mann's following album, Bachelor No. 2, though the track "Save Me" replaces "Driving Sideways" on EU editions. "Nothing Is Good Enough", here an instrumental, appears in lyrical form on that album. (Bachelor also includes "Red Vines", a song Mann wrote about director Anderson.)

The beginning of the song "You Could Make a Killing" and the bit that appears after the track "It's Not Safe", both from I'm with Stupid, also appear briefly in the beginning of the film, but the tracks do not appear on this album.

The song "One", written by Harry Nilsson and originally made popular by Three Dog Night, is played during the first five minutes of the movie, and contains several obscure musical references to other Nilsson songs. It opens with a sample of Nilsson saying "Okay, Mr. Mix!" taken from the start of his song "Cuddly Toy". This version of the song also includes lyrics from Nilsson's song "Together" sung in the background. ("Life isn't easy when two are divided / and one has decided / to bring down the curtain / and one thing's for certain / there's nothing to keep them together."). Furthermore, the opening vocal motif from Nilsson's song "Good Old Desk" is used as a background vocal line (at approximately 1:54 into the song). Neil Innes, from The Bonzo Dog Doo Dah Band and The Rutles, and Chris Difford of Squeeze provide backing vocals. This track originally appeared on the For the Love of Harry: Everybody Sings Nilsson tribute album.


Aimee Elizabeth Mann (born September 8, 1960) is an American singer-songwriter. In the 1980s Mann was the bassist and a vocalist for 'Til Tuesday, and wrote their top-ten single "Voices Carry". She released her debut solo album, Whatever, in 1993, and has released many albums since. In 1999, Mann recorded songs for the soundtrack to the Paul Thomas Anderson film Magnolia, which earned Academy Award and Grammy Award nominations for the song "Save Me". She has won two Grammy Awards and was named one of the world's ten greatest living songwriters by NPR in 2006.

Source: Wikipedia
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'And So, For the Sake of Momentum' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 48 W x 48 H x 1.5 D in

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About The Artwork

Oh, for the sake of momentum I've allowed my fears To get larger than life And it's brought me to my current agendum Whereupon I deny fulfillment has yet to arrive And I know life is getting shorter I can't bring myself to set the scene Even when it's approaching torture I've got my routine Oh, for the sake of momentum Even thought I agree with that stuff About seizing the day But I hate to think of effort expended All those minutes and days and hours I've have frittered away And I know life is getting shorter I can't bring myself to set the scene Even when it's approaching torture I've got my routine But I can't confront the doubts I have I can't admit that maybe the past was bad And so, for the sake of momentum, I'm condemning the future to death So it can match the past ‘Momentum’ by Aimee Mann Songwriter: Aimee Mann Magnolia: Music from the Motion Picture is the soundtrack album to the film of the same name. Largely composed of works by Aimee Mann, enough such that she receives a title billing on the album, it features tracks by Gabrielle, Supertramp and Jon Brion. The album has been received positively by critics. Paul Thomas Anderson stated that Magnolia was inspired by Mann's music. Many of the songs feature prominently within the film, with "Wise Up" even being sung by the cast at one point, but only two of the songs were written expressly for the film, those being "You Do" and "Save Me". "Save Me" would garner Mann an Academy Award nomination for Best Original Song, losing to Phil Collins's song "You'll Be in My Heart" from Tarzan. (Noooo!) The tracks "Deathly", "Driving Sideways", and "You Do" show up on Aimee Mann's following album, Bachelor No. 2, though the track "Save Me" replaces "Driving Sideways" on EU editions. "Nothing Is Good Enough", here an instrumental, appears in lyrical form on that album. (Bachelor also includes "Red Vines", a song Mann wrote about director Anderson.) The beginning of the song "You Could Make a Killing" and the bit that appears after the track "It's Not Safe", both from I'm with Stupid, also appear briefly in the beginning of the film, but the tracks do not appear on this album. The song "One", written by Harry Nilsson and originally made popular by Three Dog Night, is played during the first five minutes of the movie, and contains several obscure musical references to other Nilsson songs. It opens with a sample of Nilsson saying "Okay, Mr. Mix!" taken from the start of his song "Cuddly Toy". This version of the song also includes lyrics from Nilsson's song "Together" sung in the background. ("Life isn't easy when two are divided / and one has decided / to bring down the curtain / and one thing's for certain / there's nothing to keep them together."). Furthermore, the opening vocal motif from Nilsson's song "Good Old Desk" is used as a background vocal line (at approximately 1:54 into the song). Neil Innes, from The Bonzo Dog Doo Dah Band and The Rutles, and Chris Difford of Squeeze provide backing vocals. This track originally appeared on the For the Love of Harry: Everybody Sings Nilsson tribute album. Aimee Elizabeth Mann (born September 8, 1960) is an American singer-songwriter. In the 1980s Mann was the bassist and a vocalist for 'Til Tuesday, and wrote their top-ten single "Voices Carry". She released her debut solo album, Whatever, in 1993, and has released many albums since. In 1999, Mann recorded songs for the soundtrack to the Paul Thomas Anderson film Magnolia, which earned Academy Award and Grammy Award nominations for the song "Save Me". She has won two Grammy Awards and was named one of the world's ten greatest living songwriters by NPR in 2006. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 48 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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